Renaissance Women Writers: French Texts, American Contexts

Portada
Anne R. Larsen, Colette H. Winn
Wayne State University Press, 1994 - 242 pàgines
The essays are grouped into three sections that reflect major characteristics of the works of French Renaissance women. Part One examines three revisionary practices in relation to dominant codes: women writers define a female reading community to empower the female speaker; demystify the illusion of mastery inscribed in male myths and encode these myths with the topos of female creative bonding; and privilege the "private" over the "public" in a genre such as the memoirs that was hitherto limited to narrating public events. Part Two focuses on the female body, an object mastered and seduced in male ideology. The essays discuss how women writers de-emphasize and ultimately transcend the female body. Finally, the essays in Part Three deal for the most part with the "politics of reception" by examining how women writers maneuver within the social restrictions of their time to negotiate their entry into the public world of print.
 

Continguts

Acknowledgments
9
The Differentiated Text
23
A HumanistFeminist Translation
55
SelfRepresentation
67
PART
83
Gendered Oppositions in Marguerite de Navarres
143
Copyright

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