Strategies of Deviance: Studies in Gay Male RepresentationIndiana University Press, 22 de juny 1995 - 336 pàgines "Juxtaposing the narrative strategies of Freud, Wilde and Jarman; film pornography and Almodovar; and Dennis Cooper, Robert GlÃ1⁄4ck and Kevin Killian, Jackson offers a delightfully intelligent and inventive reappraisal of key issues in gay representation." -- Gay Times "A major event in gay cultural theory.... the feat of critical imagination is absolutely stunning in its scope and power. [This book] will be definitive in laying out the issues for subsequent writers in gay theory." -- David M. Halperin Earl Jackson examines visual and narrative texts from a variety of genres, including case histories, pornography, science fiction, and experimental prose. |
Continguts
HISTORY AND ITS DESUBLIMATIONS | 53 |
Oscar Wildes W H | 73 |
3 | 93 |
GRAPHIC SPECULARITY | 126 |
SCANDALOUS NARRATIVES | 179 |
In Conclusions | 255 |
Notes | 267 |
Works Cited | 299 |
Altres edicions - Mostra-ho tot
Strategies of Deviance: Studies in Gay Male Representation Earl Jackson Previsualització no disponible - 1995 |
Frases i termes més freqüents
anaclitic Bedrooms body camera Caravaggio castration castration anxiety chapter cinematic constitute Cooper critical cultural Delany Delany's Dennis Cooper deviant Dhalgren diegetic discourse discussion dominant ego ideal erotic essay fantasy film first-person Freud gay male sexuality gay male spectator gay male subject gaze gender Glück Gorgik Gunther Harry Harry's heterosexual heterosexual male homosexual ibid ideal ego identification identity ideology intradiegetic Jarman Karl Kevin Killian Lacan Law of Desire Leonardo male heterosexuality male homosexuality masculine meaning metaphor mirror mirror stage narcissism narcissistic narrative narrator narrator's negating affirmation novel object of desire object-choice Oedipal orgasm penis phallic phallus pleasure principle politics porn pornographic practices profilmic psychical psychoanalytic reader reading reality principle relation representation represents Robert Glück scene science fiction scopophilia screen sexual difference signifying social sonnets specular story structure subject of enunciation sublimation theory tion truth viewer visual Wilde's woman women writing
Passatges populars
Pàgina 76 - What is your substance, whereof are you made, That millions of strange shadows on you tend? Since every one hath, every one, one shade, And you, but one, can every shadow lend. Describe Adonis, and the counterfeit Is poorly imitated after you ; On Helen's cheek all art of beauty set, And you in Grecian tires are painted new: Speak of the spring and...
Pàgina 28 - Women, especially if they grow up with good looks, develop a certain self-contentment which compensates them for the social restrictions that are imposed upon them in their choice of object. Strictly speaking, it is only themselves that such women love with an intensity comparable to that of the man's love for them.
Pàgina 3 - ... be acknowledged, often in the same vocabulary, using the same categories by which it was medically disqualified.
Pàgina 22 - The boy represses his love for his mother: he puts himself in her place, identifies himself with her, and takes his own person as a model in whose likeness he chooses the new objects of his love.
Pàgina 78 - Truth' is to be understood as a system of ordered procedures for the production, regulation, distribution, circulation and operation of statements. Truth' is linked in a circular relation with systems of power which produce and sustain it, and to effects of power which it induces and which extend it. A 'regime
Pàgina 89 - Its relation to the ego is not exhausted by the precept: 'You ought to be like this (like your father).' It also comprises the prohibition: 'You may not be like this (like your father) — that is, you may not do all that he does; some things are his prerogative.
Pàgina 68 - Thus from the point of view of psychoanalysis the exclusive sexual interest felt by men for women is also a problem that needs elucidating and is not a self-evident fact based upon an attraction that is ultimately of a chemical nature.