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With variable objects, shall expel
on't ? Pol. It shall do well. But yet do I believe, The origin and commencement of this grief Sprung from neglected love. How now, Ophelia ?You need not tell us what Lord Hamlet said, We heard it all.-My Lord, do as you please ;
[Exit Ophelias But if you hold it fit, after the play Let his Queen-mother all alone intreat him To fhew his griefs; let her be round with him in And I'll be plac'd, so please you, in the ear Of all their conf'rence. If she find him not, To England send him ; or confine him, where Your wisdom best shall think.
King. It shall be so : Madness in great ones must not unwatch'd go. (Exeunt..
Enter Hamlet, and two or three of the Players. Ham. Speak the speech, I pray you; as I pronounc'd it to you, trippingly on the tongue. But if you mouth it, as many of our players do, I had as lieve, the towncrier had spoke my lines. And do not saw the air too much with your hand thus; but use all gently; for in the very torrent, tempeft, and, as I may say, whirl-wind of your passion, you muit acquire and beget a temperance that may give it smoothness., Oh, it oifends me to the soul, to hear a robuftious periwig-pated fellow tear a palfion to tatters, to very rags, to split the ears of the groundlings: who (for the moit part) are capable of nothing, but inexplicable dumb shews, and noise: I could have such a fellow whipt for o'er-doing Termagant; it out-herods Herod. Pray you, avoid it.
Play. I warrant your honour.
Ham. Be not too tame neither ; but let your own difcretion be your tutor. Suit the action to the word, the word to the action, with this special observance, that
you o'er-step not the modesty of nature ; for any thing so overdone is from the purpose of playing; whose end, both at the first and now ; was and is, to hold as 'twere the mirror up to nature; to fhew virtue her own feature, scorn her own image, and the very age and body of the time, his form and pressure. Now this over-done, or come tardy of, tho' it make the unkilful laugh, cannot but make the judicious grieve: the censure of which. one must in your allowance o’er-weigh a whole theatre of others. Oh, there be players that I have seen play, and heard others praise, and that highly, (not to speak it prophanely) that neither having the accent of chriftian, nor the gait of christian, pagan, nor man, have fo ftrut: ted and bellow'd, that I have thought some of nature's journey-men had made men, and not made thèm well; they imitated humanity fo abominably.
Play. I hope, we have reform'd that indifferentlywith us.
Ham. Oh, reform it altogether. And let those, that play your clowns, speak no more than is set down for them: For there be of them that will themselves laugh, to set on some quantity of barren fpectators to laugh too; though, in the mean time, fome neceffary question of the Play be then to be confidered : That's villainous ; and shews a most pitiful ambition in the fool that uses it. Go make you ready.
[Exeunt Players. Enter Polonius, Rosincrantz, and Guildenstern. How now, my Lord; will the King hear this piece of work?
Pol. And the Queen too, and that presently. Ham. Bid the Players make hafte. [Exit Polonius. Will you two help to hasten them? Both. We will, my Lord.
[Exeunta Ham. What, ho, Horatio !.
Enter Horatio to Hamlet.
Hor. Here, sweet Lord, at your service.
Ham. Horatio, thou art e’en as just a man,. As e'er my conversation cop'd withal.
Hor. Oh my dear Lord,
Ham. Nay, do not think, I fatter : For what advancement may I hope from thee, That no revenue haft, but thy good spirits, To feed and cloath thee? Should the poor be flatter'd? No, let the candied tongue lick absurd pomp, And crook the pregnant hinges of the knee, Where thrift
may follow fawning. Doft thou hear ?
Give him heedful note;
Hor. Well, my Lord.
(17) And my Imaginations are as foul,
As Vulcan’s Stithy.] I have ventured against the Authority of all the Copies, to fubftitute Smithy here. I have given my Reasons already in a Note on Troilus, to which, for Brevity's fake, I beg leave to refer the Readers,
If he steal aught, the whilft this Play is playing,
Guildenstern, and other Lords attendant, with a guard
Ham. They're coming to the Play; I must be idle. Get you a place.
King. How fares our cousin Hamlet ?
Ham. Excellent, i'faith, of the camelion's dish: I eat the air, promise-cramm’d: you cannot feed capons fo.
King. I having nothing with this answer, Hamlet; these words are not mine.
Ham. No, nor mine.--Now, my Lord; you play'd once i'th' university, you fay?
[To Polonius. Pol. That I did, my Lord, and was accounted a good actor.
Ham. And what did you enact ?
Pol. I did enact Julius Cæfar, I was kill'd i'th' Capitol: Brutus kill'd me.
Ham. It was a brate part of him, to kill fo capital a calf there. Be the players ready?
Rof. Ay, my Lord, they stay upon your patience.
[Lying dorun at Ophelia's feet,
Oph. Ah, my Lord.:)
Ham. Oh God! your only jig-maker ; what should a man do, but be merry? For, look you, how chearfully my mother looks, and my father dy'd within these two hours.
Oph. Nay, 'tis twice two months, my Lord.
Ham. So long? nay, then let the Devil wear black, for I'll have a suit of fables. Oh heav'ns! die two months ago, and not forgotten yet! then there's hope, a great man's memory may out-live his life half a year : but, by'r lady, he must build churches then ; or else thall. he fuffer not thinking on, with the hobby-horse ; whose epitaph is, For oh, for oh, the kobby-horje is forgot.
Hautboys play. The dumb shew enters. (18) Enter a Duke and Dutchess, with regal Coronets,.
very lovingly; the Dutchess embracing him, and he ber. She kneels; be takes her up, and declines his head upon her neck; he lays him down upon a bank of flowers; jhe. seeing him asleep, leaves him. Anon comes in a fellow, takes off his Crozun, kifes it, and pours poison in the Duke's ears, and Exit The Dutchess returns, finds the Duke dead, and makes pasionate action. The poijoner, with some two or three mutes, comes in again, jeeming to lament with her. The dead body is carried away. The poisoner woes the Dutches with gifts ; fhe seemns. loth and unwilling a while, but in the end accepts his love.
(18) Enter a King and Queen very lovingly :] Thus have the blundering and inadvertent Editors all along given us this StageDirection, though we are expresiy told by Hamlet anon, that the Story of this introduced Interlude is the Murder of Gonzago Duke of Vienna. The Source of this Miftake is easily to be accounted for, from the Stage's dresing the Characters. Regal Coronets being at first ordered by the Poet for the Duke and Dutckess, the succeeding Players, who did not strictly observe the quality of the Persons or Circumstances of the Story, misock 'em for a King and Queen; and so the Error was deduced down from thence to the present Times,