Twentieth Century Criticism: The Major StatementsWilliam J. Handy, Max Westbrook Free Press, 1974 - 499 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 66.
Pàgina 15
... aesthetic judgments might be true or false . Yet beauty , unlike truth and goodness , is not objective in the sense of being susceptible to analysis and proof . No intellectual criterion of beauty can be found and judgments of taste ...
... aesthetic judgments might be true or false . Yet beauty , unlike truth and goodness , is not objective in the sense of being susceptible to analysis and proof . No intellectual criterion of beauty can be found and judgments of taste ...
Pàgina 333
... aesthetic experience presents itself . We need go no farther . For indeed the assertion that Milton's poetry in general bears no ascertainable relation to his extra - aesthetic experience is not a result of such painstaking examination ...
... aesthetic experience presents itself . We need go no farther . For indeed the assertion that Milton's poetry in general bears no ascertainable relation to his extra - aesthetic experience is not a result of such painstaking examination ...
Pàgina 432
... aesthetic experience to be suffused with emotion ; and when a work of art is of unquestioned greatness , it does indeed very often stem from and elicit emotion of the intensest sort . But , however much emotion may be a factor both in ...
... aesthetic experience to be suffused with emotion ; and when a work of art is of unquestioned greatness , it does indeed very often stem from and elicit emotion of the intensest sort . But , however much emotion may be a factor both in ...
Continguts
Introduction | 2 |
IMMANUEL KANT from Critique of Judgment 9 | 9 |
F S FLINT and EZRA POUND On Imagism V17 | 22 |
Copyright | |
No s’hi han mostrat 16 seccions
Frases i termes més freqüents
action aesthetic archetype Aristotle artist attitude audience Basilikon Doron become believe called character Christian Cleanth Brooks comedy complete conception consciousness covert culture D. H. Lawrence drama effect elements emotion Essays example existence experience expression eyes fact feeling fiction film Gatsby Genre Gloucester Hamlet Historical Criticism human ideas imagery imagination imitation Joyce Kenyon Review kind knowledge language Last Tycoon Lear literary criticism literature living Macbeth means merely Metaphysical Poetry method Milton mind modern moral myth and ritual nature novel object Odysseus Othello particular person philosophy play plot poem poet poetic poetry possible present primitive principle problem psychology question reader reason relation ritual pattern scene sense Shakespeare silence speak spirit story structure symbol T. S. Eliot technique theme theory things thought tragedy tragic truth unconscious University vision whole words writer
Referències a aquest llibre
Message in Design: A Study of R.K. Narayan's Fiction Paramjit Singh Ramana Visualització de fragments - 1993 |