you'll run again, rather than suffer question for your residence. Ber. It may be you have mistaken him, my lord. Laf. And shall do so ever, though I took him at's prayers. Fare you well, my lord; and believe this of me, there can be no kernel in this light nut; the soul of this man is his clothes : trust him not in matter of heavy consequence; I have kept of them tame, and know their natures. — Farewell, monsieur: I have spoken better of you than you have wit or will to deserve at my hand; but we must do good against evil. Par. An idle lord, I swear. Ber. Par. Why, do you know him? I think not so. [Exit. Ber. Yes, I do know him well; and common speech Gives him a worthy pass. Here comes my clog. Enter HELENA. Hel. I have, sir, as I was commanded from you, Spoke with the King, and have procured his leave For present parting; 5 only, he desires Some private speech with you. Ber. I shall obey his will. You must not marvel, Helen, at my course, Which holds not colour with the time, nor does On my particular. Prepared I was not For such a business; therefore am I found So much unsettled: this drives me to entreat you, spouting some doggerel verses, leap boldly into a huge custard prepared for the purpose. Ben Jonson, in The Devil is an Ass, i. 1, has the following: "He may perchance, in tail of a sheriff's dinner, skip with a rhyme o' the table, from New-nothing, and take his Almain leap into a custard." 4 Idle, here, means trifling, foolish, or worthless. 5 Parting for departing; the two being used interchangeably. That presently you take your way for home, "Twill be two days ere I shall see you; so, Hel. [Giving a letter. Sir, I can nothing say, But that I am your most obedient servant. And ever shall With true observance seek to eke out that To equal my great fortune. My haste is very great: farewell; hie home. Hel. Pray, sir, your pardon. Well, what would you say? Hel. I am not worthy of the wealth I owe;8 But, like a timorous thief, most fain would steal Ber. What would you have? Hel. Something; and scarce so much: nothing, indeed. I would not tell you what I would, my lord : Faith, yes: Strangers and foes do sunder, and not kiss. Ber. I pray you, stay not, but in haste to horse. 6 In old English, to muse commonly has the sense of to wonder. Ber. Where are my other men, monsieur? — Farewell : [Exit HELENA. Go thou toward home; where I will never come, Par. Bravely, coragio ! [Exeunt. ACT III. SCENE I. Florence. A Room in the Duke's Palace. Flourish. Enter the Duke of Florence, attended; two French Lords and Soldiers. Duke. So that, from point to point, now have you heard The fundamental reasons of this war; Whose great decision hath much blood let forth, Duke. Therefore we marvel much our cousin France Would, in so just a business, shut his bosom Against our borrowing-prayers. I Lord. Good my lord, The reasons of our State I cannot yield, 1 Party for part. The Poet has it so elsewhere, as also part for party. 2 "An outward man" is a man not in the secret of affairs. Shakespeare uses inward repeatedly in just the opposite sense. By self-unable notion :3 therefore dare not 2 Lord. But I am sure the younger of our nation, That surfeit on their ease, will day by day Come here for physic. Duke. Welcome shall they be ; And all the honours that can fly from us Shall on them settle. You know your places well; When better fall, for your avails they fall: To-morrow to the field. [Flourish. Exeunt. SCENE II.—Rousillon. A Room in the House of the Countess. Enter the Countess and Clown. Count. It hath happen'd all as I would have had it, save that he comes not along with her. Clo. By my troth, I take my young lord to be a very melancholy man. Count. By what observance, I pray you? Clo. Why, he will look upon his boot, and sing; mend the ruff, and sing; ask questions, and sing; pick his teeth, and sing. I knew a man that had this trick of melancholy sold a goodly manor for a song. Count. Let me see what he writes, and when he means to [Opening a letter. come. 3 "That conceives the great scheme or policy of a State council with a mind unequal of itself to so large a subject." The Poet several times has notion for mind, judgment, or conception. So in King Lear, i. 4: “Either his notion weakens, or his discernings are lethargied." 1 The ruff is the ruffle of the boot; that is, the top of the boot, which turned over and hung loosely; sometimes fringed with lace, ornamentally. Clo. I have no mind to Isbel, since I was at Court: our oldlings and our Isbels o' the country are nothing like your oldlings and your Isbels o' the Court: the brains of my Cupid's knock'd out; and I begin to love, as an old man loves money, with no stomach. Count. What have we here? Clo. E'en that you have there. [Exit. Count. [Reads.] I have sent you a daughter-in-law: she hath recovered the King, and undone me. I have wedded her, not bedded her; and sworn to make the not eternal. You shalt hear I am run away: know it before the report come. If there be breadth enough in the world, I will hold a long distance. My duty to you. Your unfortunate son, BERTRAM. This is not well, rash and unbridled boy, To fly the favours of so good a King; To pluck his indignation on thy head Re-enter the Clown. Clo. O madam, yonder is heavy news within between two soldiers and my young lady! Count. What is the matter? Clo. Nay, there is some comfort in the news, some comfort; your son will not be kill'd so soon as I thought he would. Count. Why should he be kill'd? Clo. So say I, madam, if he run away, as I hear he does : the danger is in standing to't; that's the loss of men, though it be the getting of children. Here they come will tell you more: for my part, I only heard your son was run away. [Exit. The termination -ling is used here, I take it, just as in various other words, such as foundling, groundling, sapling, worldling, youngling, &c. See Critical Notes. |