Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 pàgines |
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Pàgina 23
... speak by a divine spirit ; have their works which they writ in verse ( the divine style ) pass for the word of God ... speak wisely from the principles of nature , and his own meditation , loves rather to be thought to speak by ...
... speak by a divine spirit ; have their works which they writ in verse ( the divine style ) pass for the word of God ... speak wisely from the principles of nature , and his own meditation , loves rather to be thought to speak by ...
Pàgina 175
... speak- ing , [ as it ] may be surprisingly and pleasantly , is mistaken for a character of humor , which indeed is a character of wit . But there is a great difference between a comedy wherein there are many things humorously ( as they ...
... speak- ing , [ as it ] may be surprisingly and pleasantly , is mistaken for a character of humor , which indeed is a character of wit . But there is a great difference between a comedy wherein there are many things humorously ( as they ...
Pàgina 550
... speak of Vanbrugh , I mean to speak of him in the language of our art . To speak then of Van- brugh in the language of a painter : he had originality of invention , he understood light and shadow and had great skill in composition . To ...
... speak of Vanbrugh , I mean to speak of him in the language of our art . To speak then of Van- brugh in the language of a painter : he had originality of invention , he understood light and shadow and had great skill in composition . To ...
Continguts
INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Copyright | |
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action Addison admiration Aeneid ancient appear Aristotle beauty Ben Jonson called character comedy common composition considered criticism delight discourse dramatic Dryden Dunciad effect eighteenth century emotion endeavor English epic epic poetry Essay Essay on Criticism excellence expression fancy fiction French genius give Gondibert heroic Homer Horace Hudibras human humor ideas Iliad images imagination imitation invention Johnson Joseph Warton judgment Juvenal kind knowledge labor language learning living mankind manner means Milton mind modern moral nature neoclassic neoclassicism never numbers objects observed opinion original Othello Ovid painting Paradise Lost particular passions perfect perhaps persons philosophers play pleasing pleasure poem poesy poet poetical poetry Pope Preface principles produce prose qualities reader reason rhyme ridiculous rules satire scenes sense sentiments Shakespeare sometimes spirit sublime taste things thought tion tragedy true truth verse Virgil virtue words writing