The Story of Art - 16th EditionPhaidon Press, 9 d’abr. 1995 - 688 pàgines The Story of Art, one of the most famous and popular books on art ever written, has been a world bestseller for over four decades. Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, and one who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject. The Story of Art, one of the most famous and popular books on art ever written, has been a world bestseller for over four decades. Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, and one who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject. For the first time in many years the book has been completely redesigned. The illustrations, now in colour throughout, have all been improved and reoriginated, and include six fold-outs. The text has been revised and updated where appropriate, and a number of significant new artists have been incorporated. The bibliographies have been expanded and updated, and the maps and charts redrawn. The Story of Art has always been admired for two key qualities: it is a pleasure to read and a pleasure to handle. In these respects the new edition is true to its much-loved predecessors: the text runs as smoothly as ever and the improved illustrations are always on the page where the reader needs them. In its new edition, this classic work continues its triumphant progress tirelessly for yet another generation, to remain the title of first choice for any newcomer to art or the connoisseur. The Story of Art has always been admired for two key qualities: it is a pleasure to read and a pleasure to handle. In these respects the new edition is true to its much-loved predecessors: the text runs as smoothly as ever and the improved illustrations are always on the page where the reader needs them. In its new edition, this classic work continues its triumphant progress tirelessly for yet another generation, to remain the title of first choice for any newcomer to art or the connoisseur. |
Des de l'interior del llibre
Resultats 1 - 3 de 53.
... represent a real scene . He does not mind that the servants are smaller than the holy personages , and he does not give us any indication of the place or the setting . We understand what is happening without any such external ...
... represent this great moment , Dürer discarded all the traditional poses that had been used time and again to represent , with a show of elegance and ease , a hero's fight against a mortal enemy . Dürer's St Michael does not strike any ...
... represent a figure without showing each part from its most characteristic angle , page 61. They knew what a foot , an eye , or a hand ' looked like ' , and they fitted these parts together to form a complete man . To represent a figure ...
Continguts
PREFACE | 7 |
STRANGE BEGINNINGS | 39 |
ART FOR ETERNITY | 55 |
Copyright | |
No s’hi han mostrat 27 seccions