The Story of Art - 16th EditionPhaidon Press, 9 d’abr. 1995 - 688 pàgines The Story of Art, one of the most famous and popular books on art ever written, has been a world bestseller for over four decades. Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, and one who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject. The Story of Art, one of the most famous and popular books on art ever written, has been a world bestseller for over four decades. Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, and one who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject. For the first time in many years the book has been completely redesigned. The illustrations, now in colour throughout, have all been improved and reoriginated, and include six fold-outs. The text has been revised and updated where appropriate, and a number of significant new artists have been incorporated. The bibliographies have been expanded and updated, and the maps and charts redrawn. The Story of Art has always been admired for two key qualities: it is a pleasure to read and a pleasure to handle. In these respects the new edition is true to its much-loved predecessors: the text runs as smoothly as ever and the improved illustrations are always on the page where the reader needs them. In its new edition, this classic work continues its triumphant progress tirelessly for yet another generation, to remain the title of first choice for any newcomer to art or the connoisseur. The Story of Art has always been admired for two key qualities: it is a pleasure to read and a pleasure to handle. In these respects the new edition is true to its much-loved predecessors: the text runs as smoothly as ever and the improved illustrations are always on the page where the reader needs them. In its new edition, this classic work continues its triumphant progress tirelessly for yet another generation, to remain the title of first choice for any newcomer to art or the connoisseur. |
Des de l'interior del llibre
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... forms and ornaments . It was never his intention to copy these ancient buildings outright . They could hardly have been adapted to the needs of fifteenth - century Florence . What he aimed at was the creation of a new way of building ...
... forms which Borromini applied are really Renaissance forms . Like Della Porta , he used the form of a temple front to frame the central entrance and , like him , he doubled the pilasters on the sides to gain a richer effect . But by ...
... forms sometimes do look flat , like mere coloured patches . It was this effect which Manet wanted to explore . The consequence is that as we stand before one of his pictures it looks more immediately real than any old master . We have ...
Continguts
PREFACE | 7 |
STRANGE BEGINNINGS | 39 |
ART FOR ETERNITY | 55 |
Copyright | |
No s’hi han mostrat 27 seccions