The Works of Samuel Johnson, Volum 9 |
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Pàgina 181
The musick of the English heroick lines strikes the ear so faintly , that it is easily
lost , unless all the syllables of every line co - operate together ; this co -
operation can be only obtained by the preservation of every verse unmingled
with another ...
The musick of the English heroick lines strikes the ear so faintly , that it is easily
lost , unless all the syllables of every line co - operate together ; this co -
operation can be only obtained by the preservation of every verse unmingled
with another ...
Pàgina 386
DRYDEN may be properly considered as the father of English criticism , as the
writer who first taught us to determine upon principles the merit of composition .
Of our former poets , the greatest dramatist wrote without rules , conducted
through ...
DRYDEN may be properly considered as the father of English criticism , as the
writer who first taught us to determine upon principles the merit of composition .
Of our former poets , the greatest dramatist wrote without rules , conducted
through ...
Pàgina 449
He who undertakes to answer this excellent “ critique of Mr. Rymer , in behalf of
our English “ poets against the Greek , ought to do it in this manner : either : by
yielding to him the greatest “ part of what he contends for , which consists in " this
...
He who undertakes to answer this excellent “ critique of Mr. Rymer , in behalf of
our English “ poets against the Greek , ought to do it in this manner : either : by
yielding to him the greatest “ part of what he contends for , which consists in " this
...
Pàgina 450
For the fable itself , ' tis in the English more “ adorned with episodes , and larger
than in the « Greek poets ; consequently more diverting . For , “ if the action be
but one , and that plain , without any counterturn of design or episode , i . e .
under“ ...
For the fable itself , ' tis in the English more “ adorned with episodes , and larger
than in the « Greek poets ; consequently more diverting . For , “ if the action be
but one , and that plain , without any counterturn of design or episode , i . e .
under“ ...
Pàgina 453
To make a true judgment in this competition be“ twixt the Greek poets and the
English , in tragedy : “ Consider , first , how Aristotle has defined a tra“ gedy .
Secondly , what he assigns the end of it to “ be . Thirdly , what he thinks the
beauties of ...
To make a true judgment in this competition be“ twixt the Greek poets and the
English , in tragedy : “ Consider , first , how Aristotle has defined a tra“ gedy .
Secondly , what he assigns the end of it to “ be . Thirdly , what he thinks the
beauties of ...
Què en diuen els usuaris - Escriviu una ressenya
No hem trobat cap ressenya als llocs habituals.
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
action admired afterwards answer appears beauties beginning believe better called character Charles common considered Cowley criticism death delight desire Dryden Earl easily elegance English equal excellence expected expression fancy favour formed friends gave genius give given hand hope images imagination Italy kind King knowledge known labour Lady language learning least less lines lived Lord Lost manners means mention Milton mind nature never numbers observed once opinion original performance perhaps person play pleasing pleasure poem poet poetical poetry praise present probably produced publick published reader reason received relates remarks rhyme says seems sent sentiments shew sometimes supposed tell thing thou thought tion told tragedy translation true truth verses virtue Waller whole write written wrote
Passatges populars
Pàgina 93 - ... that by labour and intent study, which I take to be my portion in- this life, joined with the strong propensity of nature, I might perhaps leave something so written to after-times, as they should not willingly let it die.
Pàgina 79 - O could I flow like thee, and make thy stream My great example, as it is my theme! Though deep, yet clear, though gentle, yet not dull, Strong without rage, without o'er-flowing full.
Pàgina 384 - DEYDEN may be properly considered as the father of English criticism, as the writer who first taught us to determine upon principles the merit of composition. Of our former poets, the greatest dramatist wrote without rules, conducted through life and nature by a genius that rarely misled, and rarely deserted him. Of the rest, those who knew the laws of propriety had neglected to teach them.
Pàgina 415 - From harmony, from heavenly harmony This universal frame began: From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man.
Pàgina 152 - We drove a-field, and both together heard What time the gray-fly winds her sultry horn, Battening our flocks with the fresh dews of night, Oft till the star that rose at evening bright Toward heaven's descent had sloped his westering wheel.
Pàgina 259 - There needs no more be said to extol the excellence and power of his wit, and pleasantness of his conversation, than that it was of magnitude enough to cover a world of very great faults; that is, so to cover them, that they were not taken notice of to his reproach; viz.
Pàgina 171 - The want* of human interest is always felt. Paradise Lost is one of the books which the reader admires and lays down, and forgets to take up again. None ever wished it longer than it is. Its perusal is a duty rather than a pleasure. We read Milton for instruction, retire harassed and overburdened, and look elsewhere for recreation ; we desert / our master, and seek for companions.
Pàgina 435 - I am as free as nature first made man, Ere the base laws of servitude began, When wild in woods the noble savage ran.
Pàgina 152 - Among the flocks and copses and flowers appear the heathen deities, Jove and Phoebus, Neptune and jEolus, with a long train of mythological imagery, such as a college easily supplies. Nothing can less display knowledge, or less exercise invention, than to tell how a shepherd has lost his companion, and must now feed his flocks alone, without any judge of his skill in piping ; and how one god asks another god what has become of Lycidas, and how neither god can. tell. He who thus grieves will excite...
Pàgina 77 - But whither am I stray'd ? I need not raise Trophies to thee from other men's dispraise : Nor is thy fame on lesser ruins built, Nor needs thy juster title the foul guilt Of Eastern kings, who, to secure their reign, Must have their brothers, sons, and kindred slain.
Informació bibliogràfica
| Títol | The Works of Samuel Johnson, Volum 9 The Works of Samuel Johnson, Samuel Johnson |
| Autor | Samuel Johnson |
| Editor | Nichols, 1816 |
| Original de | Biblioteca Pública de Nova York |
| Digitalitzat el | 9 Nov. 2006 |
| Exporta citacions | BiBTeX EndNote RefMan |