The Language of Comics: Word and ImageRobin Varnum, Christina T. Gibbons Univ. Press of Mississippi, 2001 - 222 pàgines |
Des de l'interior del llibre
Resultats 1 - 5 de 42.
Pàgina x
... and images shape our perceptions , causing us to see some things and over- look others . Written words , like images , can be classified as graphic signs . Both texts and images are decoded visually and , for X INTRODUCTION.
... and images shape our perceptions , causing us to see some things and over- look others . Written words , like images , can be classified as graphic signs . Both texts and images are decoded visually and , for X INTRODUCTION.
Pàgina xiii
... look at comics through the lens of semiotics theory . Among the first writers to do so were Pierre Fresnault- Deruelle in 1977 and Alain Rey in 1978. More recent semiotics - informed European studies of comics include those of Jan ...
... look at comics through the lens of semiotics theory . Among the first writers to do so were Pierre Fresnault- Deruelle in 1977 and Alain Rey in 1978. More recent semiotics - informed European studies of comics include those of Jan ...
Pàgina xiv
... look at pictures . From our point of view , the most significant contradiction in Under- standing Comics is that McCloud treats comics as both a partnership of sep- arate elements and as a unique language . He contends on the one hand ...
... look at pictures . From our point of view , the most significant contradiction in Under- standing Comics is that McCloud treats comics as both a partnership of sep- arate elements and as a unique language . He contends on the one hand ...
Pàgina xv
... looks at how comics are read . Khordoc and Kannenberg discuss the ways particular artists use and extend the represen- tational code comics ... look closely , puzzle out logical relationships , and as with a verbal narrative INTRODUCTION XV.
... looks at how comics are read . Khordoc and Kannenberg discuss the ways particular artists use and extend the represen- tational code comics ... look closely , puzzle out logical relationships , and as with a verbal narrative INTRODUCTION XV.
Pàgina xvi
... looks at the pantomime strips drawn by Adolphe Willette and Theophile - Alexandre Steinlen in the 1880s for the avant garde ... look closely at single - panel car- toons and insist that it is the juxtaposition of words and pictures , not ...
... looks at the pantomime strips drawn by Adolphe Willette and Theophile - Alexandre Steinlen in the 1880s for the avant garde ... look closely at single - panel car- toons and insist that it is the juxtaposition of words and pictures , not ...
Continguts
3 | |
Pictorial Principles in the Work of Milt Gross Hendrik Dorgathen Eric Drooker and Peter Kuper | 19 |
Coyotes and Visual Ethos | 40 |
The Yellow Kid and the Comic Page | 60 |
The Emergence of the Modern Magazine Gag Cartoon Reveals the Vital Blend | 75 |
The Disjunction of Word and Image in the Comics of Andrzej Mleczko Ben Katchor R Crumb and Art Spiegelman | 97 |
How a Comics Panel Can Speak Shakespeare | 123 |
A New Theory of Graphic Enunciation | 145 |
Visual Sound Effects in Asterix | 156 |
Text Image and Visual Narrative Strategies | 174 |
Notes | 199 |
Works Cited | 205 |
Contributors | 213 |
Index | 215 |
Altres edicions - Mostra-ho tot
The Language of Comics: Word and Image: Word and Image Robin Varnum,Christina T. Gibbons Previsualització limitada - 2001 |
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Acme Novelty Library action animals appears Arno Art Spiegelman artist Asterix and Cleopatra bande dessinée Beronä caption cartoonists character Chat Noir Chris Ware color comic art comic books comic strip complex Coyote Coyote's create Crumb culture depicted disjunctive Dorgathen drawing Drooker Eisner elements Elkins emotional Eric Drooker ethos example Figure film gag cartoon genre graphiateur graphiation graphic Gross Hamlet Hergé hero humor magazines icons idea illustrated images and words Kannenberg Katchor Kunzle language lexias look Marion Masereel McCloud meaning medium Milt Gross Mleczko narration narrative newspaper objects Outcault panel Peter Kuper pictorial Pierrot Quimby reader reading Road Runner Road Runner Show Ross semiotics sense silent single-speaker soliloquy sound Space Dog speaking speech balloons Spiegelman Steinlen story style Sunday symbols textual tion toons verbal visual Ware's Wile Wile E Willette woodcut word and image word-image wordless comics words and pictures Yellow Kid York Yorker