The Language of Comics: Word and ImageRobin Varnum, Christina T. Gibbons Univ. Press of Mississippi, 2001 - 222 pàgines |
Des de l'interior del llibre
Resultats 1 - 5 de 63.
Pàgina xii
... draw upon . This work has come out of departments of art history , literary studies , communications and media studies , cultural studies , film theory , and elsewhere . Art historians who have contributed to word and image theory ...
... draw upon . This work has come out of departments of art history , literary studies , communications and media studies , cultural studies , film theory , and elsewhere . Art historians who have contributed to word and image theory ...
Pàgina xiii
... draw on semiotics . It has become commonplace in Europe to look at comics through the lens of semiotics theory . Among the first writers to do so were Pierre Fresnault- Deruelle in 1977 and Alain Rey in 1978. More recent semiotics ...
... draw on semiotics . It has become commonplace in Europe to look at comics through the lens of semiotics theory . Among the first writers to do so were Pierre Fresnault- Deruelle in 1977 and Alain Rey in 1978. More recent semiotics ...
Pàgina xvi
... drawings to be suggestive . Berona looks at the wordless novel , a genre that flourished briefly in the 1930s and is enjoying a resurgence now at the turn of the twenty - first century . The artists he discusses — Milt Gross , Hendrik ...
... drawings to be suggestive . Berona looks at the wordless novel , a genre that flourished briefly in the 1930s and is enjoying a resurgence now at the turn of the twenty - first century . The artists he discusses — Milt Gross , Hendrik ...
Pàgina xviii
... draw- ings , the lettering and the texts are all signifiers in the graphic whole . Thus , by emphasizing the reader's point of view , Marion is able to see comics as a unitary rather than a hybrid system of expression . Baetens ...
... draw- ings , the lettering and the texts are all signifiers in the graphic whole . Thus , by emphasizing the reader's point of view , Marion is able to see comics as a unitary rather than a hybrid system of expression . Baetens ...
Pàgina 3
... draw- ing . Insofar as the very printing of drawings , the insertion of wood engravings ( and in France , the lithograph ) in the new mass journals , be they comic or se- rious in intent , was experienced as an exciting novelty , it was ...
... draw- ing . Insofar as the very printing of drawings , the insertion of wood engravings ( and in France , the lithograph ) in the new mass journals , be they comic or se- rious in intent , was experienced as an exciting novelty , it was ...
Continguts
3 | |
Pictorial Principles in the Work of Milt Gross Hendrik Dorgathen Eric Drooker and Peter Kuper | 19 |
Coyotes and Visual Ethos | 40 |
The Yellow Kid and the Comic Page | 60 |
The Emergence of the Modern Magazine Gag Cartoon Reveals the Vital Blend | 75 |
The Disjunction of Word and Image in the Comics of Andrzej Mleczko Ben Katchor R Crumb and Art Spiegelman | 97 |
How a Comics Panel Can Speak Shakespeare | 123 |
A New Theory of Graphic Enunciation | 145 |
Visual Sound Effects in Asterix | 156 |
Text Image and Visual Narrative Strategies | 174 |
Notes | 199 |
Works Cited | 205 |
Contributors | 213 |
Index | 215 |
Altres edicions - Mostra-ho tot
The Language of Comics: Word and Image: Word and Image Robin Varnum,Christina T. Gibbons Previsualització limitada - 2001 |
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Acme Novelty Library action animals appears Arno Art Spiegelman artist Asterix and Cleopatra bande dessinée Beronä caption cartoonists character Chat Noir Chris Ware color comic art comic books comic strip complex Coyote Coyote's create Crumb culture depicted disjunctive Dorgathen drawing Drooker Eisner elements Elkins emotional Eric Drooker ethos example Figure film gag cartoon genre graphiateur graphiation graphic Gross Hamlet Hergé hero humor magazines icons idea illustrated images and words Kannenberg Katchor Kunzle language lexias look Marion Masereel McCloud meaning medium Milt Gross Mleczko narration narrative newspaper objects Outcault panel Peter Kuper pictorial Pierrot Quimby reader reading Road Runner Road Runner Show Ross semiotics sense silent single-speaker soliloquy sound Space Dog speaking speech balloons Spiegelman Steinlen story style Sunday symbols textual tion toons verbal visual Ware's Wile Wile E Willette woodcut word and image word-image wordless comics words and pictures Yellow Kid York Yorker