The Language of Comics: Word and ImageRobin Varnum, Christina T. Gibbons Univ. Press of Mississippi, 2001 - 222 pàgines |
Des de l'interior del llibre
Resultats 1 - 5 de 21.
Pàgina xiii
... discuss Wile E. Coyote and the Road Runner . David Kunzle is an art historian . He and David Berona , N. C. Christopher ... discussion on comics than any other book in the English language . McCloud lists several ways words and pictures ...
... discuss Wile E. Coyote and the Road Runner . David Kunzle is an art historian . He and David Berona , N. C. Christopher ... discussion on comics than any other book in the English language . McCloud lists several ways words and pictures ...
Pàgina xv
... discuss the ways particular artists use and extend the represen- tational code comics employs . Khordoc follows semiotician C. S. Peirce in distinguishing between icons and symbols . She concludes that speech bal- loons are both iconic ...
... discuss the ways particular artists use and extend the represen- tational code comics employs . Khordoc follows semiotician C. S. Peirce in distinguishing between icons and symbols . She concludes that speech bal- loons are both iconic ...
Pàgina xvii
... discuss , words and pictures for the most part dance together in a civilized partnership . In the comics Frank Cioffi discusses , however , disjunctions between word and image cause dis- cordances which disturb the reader and show the ...
... discuss , words and pictures for the most part dance together in a civilized partnership . In the comics Frank Cioffi discusses , however , disjunctions between word and image cause dis- cordances which disturb the reader and show the ...
Pàgina 23
Heu assolit el vostre límit de visualització per a aquest llibre.
Heu assolit el vostre límit de visualització per a aquest llibre.
Pàgina 63
Heu assolit el vostre límit de visualització per a aquest llibre.
Heu assolit el vostre límit de visualització per a aquest llibre.
Continguts
3 | |
Pictorial Principles in the Work of Milt Gross Hendrik Dorgathen Eric Drooker and Peter Kuper | 19 |
Coyotes and Visual Ethos | 40 |
The Yellow Kid and the Comic Page | 60 |
The Emergence of the Modern Magazine Gag Cartoon Reveals the Vital Blend | 75 |
The Disjunction of Word and Image in the Comics of Andrzej Mleczko Ben Katchor R Crumb and Art Spiegelman | 97 |
How a Comics Panel Can Speak Shakespeare | 123 |
A New Theory of Graphic Enunciation | 145 |
Visual Sound Effects in Asterix | 156 |
Text Image and Visual Narrative Strategies | 174 |
Notes | 199 |
Works Cited | 205 |
Contributors | 213 |
Index | 215 |
Altres edicions - Mostra-ho tot
The Language of Comics: Word and Image: Word and Image Robin Varnum,Christina T. Gibbons Previsualització limitada - 2001 |
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Acme Novelty Library action animals appears Arno Art Spiegelman artist Asterix and Cleopatra bande dessinée Beronä caption cartoonists character Chat Noir Chris Ware color comic art comic books comic strip complex Coyote Coyote's create Crumb culture depicted disjunctive Dorgathen drawing Drooker Eisner elements Elkins emotional Eric Drooker ethos example Figure film gag cartoon genre graphiateur graphiation graphic Gross Hamlet Hergé hero humor magazines icons idea illustrated images and words Kannenberg Katchor Kunzle language lexias look Marion Masereel McCloud meaning medium Milt Gross Mleczko narration narrative newspaper objects Outcault panel Peter Kuper pictorial Pierrot Quimby reader reading Road Runner Road Runner Show Ross semiotics sense silent single-speaker soliloquy sound Space Dog speaking speech balloons Spiegelman Steinlen story style Sunday symbols textual tion toons verbal visual Ware's Wile Wile E Willette woodcut word and image word-image wordless comics words and pictures Yellow Kid York Yorker