The Language of Comics: Word and ImageRobin Varnum, Christina T. Gibbons Univ. Press of Mississippi, 2001 - 222 pàgines |
Des de l'interior del llibre
Resultats 1 - 5 de 61.
Pàgina xii
... characters of the writ- ten language itself are images . In the United States and many other western countries , both ... character has an idea . Most readers respond to images in ways that artists can predict and manipulate . They are ...
... characters of the writ- ten language itself are images . In the United States and many other western countries , both ... character has an idea . Most readers respond to images in ways that artists can predict and manipulate . They are ...
Pàgina xiv
... characters is not saying . Even in those cases where pic- tures are said " merely " to illustrate a text , they always add ... character . He argues on the other hand that comics operates as " a language all its own " ( 17 ) . There is a ...
... characters is not saying . Even in those cases where pic- tures are said " merely " to illustrate a text , they always add ... character . He argues on the other hand that comics operates as " a language all its own " ( 17 ) . There is a ...
Pàgina xvi
... character credibility , is largely determined visually rather than through language . In the case of a cartoon character , it is determined by how the character is drawn . Kunzle looks at the pantomime strips drawn by Adolphe Willette ...
... character credibility , is largely determined visually rather than through language . In the case of a cartoon character , it is determined by how the character is drawn . Kunzle looks at the pantomime strips drawn by Adolphe Willette ...
Pàgina 6
Heu assolit el vostre límit de visualització per a aquest llibre.
Heu assolit el vostre límit de visualització per a aquest llibre.
Pàgina 21
Heu assolit el vostre límit de visualització per a aquest llibre.
Heu assolit el vostre límit de visualització per a aquest llibre.
Continguts
3 | |
Pictorial Principles in the Work of Milt Gross Hendrik Dorgathen Eric Drooker and Peter Kuper | 19 |
Coyotes and Visual Ethos | 40 |
The Yellow Kid and the Comic Page | 60 |
The Emergence of the Modern Magazine Gag Cartoon Reveals the Vital Blend | 75 |
The Disjunction of Word and Image in the Comics of Andrzej Mleczko Ben Katchor R Crumb and Art Spiegelman | 97 |
How a Comics Panel Can Speak Shakespeare | 123 |
A New Theory of Graphic Enunciation | 145 |
Visual Sound Effects in Asterix | 156 |
Text Image and Visual Narrative Strategies | 174 |
Notes | 199 |
Works Cited | 205 |
Contributors | 213 |
Index | 215 |
Altres edicions - Mostra-ho tot
The Language of Comics: Word and Image: Word and Image Robin Varnum,Christina T. Gibbons Previsualització limitada - 2001 |
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Acme Novelty Library action animals appears Arno Art Spiegelman artist Asterix and Cleopatra bande dessinée Beronä caption cartoonists character Chat Noir Chris Ware color comic art comic books comic strip complex Coyote Coyote's create Crumb culture depicted disjunctive Dorgathen drawing Drooker Eisner elements Elkins emotional Eric Drooker ethos example Figure film gag cartoon genre graphiateur graphiation graphic Gross Hamlet Hergé hero humor magazines icons idea illustrated images and words Kannenberg Katchor Kunzle language lexias look Marion Masereel McCloud meaning medium Milt Gross Mleczko narration narrative newspaper objects Outcault panel Peter Kuper pictorial Pierrot Quimby reader reading Road Runner Road Runner Show Ross semiotics sense silent single-speaker soliloquy sound Space Dog speaking speech balloons Spiegelman Steinlen story style Sunday symbols textual tion toons verbal visual Ware's Wile Wile E Willette woodcut word and image word-image wordless comics words and pictures Yellow Kid York Yorker