The Language of Comics: Word and ImageRobin Varnum, Christina T. Gibbons Univ. Press of Mississippi, 2001 - 222 pàgines |
Des de l'interior del llibre
Resultats 1 - 5 de 40.
Pàgina iv
... America 09 08 07 06 05 04 03 02 01 432 I Library of Congress Cataloging - in - Publication Data The language of comics : word and image / edited by Robin Varnum and Christina T. Gibbons . p . cm . ( Popular culture series ) Includes ...
... America 09 08 07 06 05 04 03 02 01 432 I Library of Congress Cataloging - in - Publication Data The language of comics : word and image / edited by Robin Varnum and Christina T. Gibbons . p . cm . ( Popular culture series ) Includes ...
Pàgina ix
... specialized features as word balloons , zip ribbons , and even the panel frames which enclose scenes or segments of a narrative — can be manipulated with great sophistication . Throughout Europe and Latin America Introduction.
... specialized features as word balloons , zip ribbons , and even the panel frames which enclose scenes or segments of a narrative — can be manipulated with great sophistication . Throughout Europe and Latin America Introduction.
Pàgina x
... America , and in Canada and Japan , comic books and comic strips are regard- ed as serious artistic and cultural ... American critics have yet looked at comics as a site where words and images intersect . We hope with the essays in ...
... America , and in Canada and Japan , comic books and comic strips are regard- ed as serious artistic and cultural ... American critics have yet looked at comics as a site where words and images intersect . We hope with the essays in ...
Pàgina xvii
... American comic strips with British and American humor maga- zines . He then shows how the format of 20th century American newspaper funnies developed from the pioneering work of Richard F. Outcault , who cre- ated The Yellow Kid . Couch ...
... American comic strips with British and American humor maga- zines . He then shows how the format of 20th century American newspaper funnies developed from the pioneering work of Richard F. Outcault , who cre- ated The Yellow Kid . Couch ...
Pàgina 19
Heu assolit el vostre límit de visualització per a aquest llibre.
Heu assolit el vostre límit de visualització per a aquest llibre.
Continguts
3 | |
Pictorial Principles in the Work of Milt Gross Hendrik Dorgathen Eric Drooker and Peter Kuper | 19 |
Coyotes and Visual Ethos | 40 |
The Yellow Kid and the Comic Page | 60 |
The Emergence of the Modern Magazine Gag Cartoon Reveals the Vital Blend | 75 |
The Disjunction of Word and Image in the Comics of Andrzej Mleczko Ben Katchor R Crumb and Art Spiegelman | 97 |
How a Comics Panel Can Speak Shakespeare | 123 |
A New Theory of Graphic Enunciation | 145 |
Visual Sound Effects in Asterix | 156 |
Text Image and Visual Narrative Strategies | 174 |
Notes | 199 |
Works Cited | 205 |
Contributors | 213 |
Index | 215 |
Altres edicions - Mostra-ho tot
The Language of Comics: Word and Image: Word and Image Robin Varnum,Christina T. Gibbons Previsualització limitada - 2001 |
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Acme Novelty Library action animals appears Arno Art Spiegelman artist Asterix and Cleopatra bande dessinée Beronä caption cartoonists character Chat Noir Chris Ware color comic art comic books comic strip complex Coyote Coyote's create Crumb culture depicted disjunctive Dorgathen drawing Drooker Eisner elements Elkins emotional Eric Drooker ethos example Figure film gag cartoon genre graphiateur graphiation graphic Gross Hamlet Hergé hero humor magazines icons idea illustrated images and words Kannenberg Katchor Kunzle language lexias look Marion Masereel McCloud meaning medium Milt Gross Mleczko narration narrative newspaper objects Outcault panel Peter Kuper pictorial Pierrot Quimby reader reading Road Runner Road Runner Show Ross semiotics sense silent single-speaker soliloquy sound Space Dog speaking speech balloons Spiegelman Steinlen story style Sunday symbols textual tion toons verbal visual Ware's Wile Wile E Willette woodcut word and image word-image wordless comics words and pictures Yellow Kid York Yorker