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" This magnificent butterfly finds a little heap of dirt and sits still on it; but man he will never on his heap of mud keep still. He want to be so, and again he want to be so. . . ." He moved his hand up, then down. "
Lord Jim: A Romance - Pàgina 213
per Joseph Conrad - 1900 - 417 pàgines
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Blackwood's Edinburgh Magazine, Volum 167

1900 - 1174 pàgines
...great poet : That is the question. . . .' He went on nodding sympathetically. . . . ' How to be ! Ach ! How to be." "He stood up with the tips of his fingers...never be. . . . In a dream. . . .' " He lowered the glass-lid, the automatic lock clicked sharply, and taking up the case in both hands he bore it religiously...
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Lord Jim

Joseph Conrad - 1905 - 408 pàgines
...great poet: That is the question. . . .' He went on nodding sympathetically. . . . ' How to be ! Adi ! How to be.' " He stood up with the tips of his fingers...religiously away to its place, passing out of the bright i circle of the lamp into the ring of fainter light — into shapeless dusk at last. It had an odd...
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Lord Jim: A Romance

Joseph Conrad - 1921 - 444 pàgines
...get cured, but how to live.•" "He approved with his head, a little sadly as it seemed. ' Ja ! ja ! In general, adapting the words of your great poet:...a very fine fellow — so fine as he can never be. . . . InjL-droam. . . .' "He lowered the glass lid, the automatic lock clicked sharply, and taking...
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Joseph Conrad: The Major Phase

Jacques Berthoud - 1978 - 204 pàgines
...heap of dirt'; he cannot help recoiling from the squalor and yearning for the beauty. And so, if'every time he shuts his eyes he sees himself as a very fine fellow - so fine as he can never be', this represents an impulse which, being a part of the very conditions of human existence, man has no...
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Conrad in the Nineteenth Century

Ian Watt - 1981 - 400 pàgines
...man he will never on his heap of mud keep still. He want to be so, and again he want to be so. ... He wants to be a saint, and he wants to be a devil...fellow — so fine as he can never be. ... In a dream" (213). So fine as he can never be. The memorable metaphysical eloquence which Conrad generates from...
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Forms of Life: Character and Moral Imagination in the Novel

Martin Price - 1983 - 400 pàgines
...instead, consumed by conflicting dreams: "He wants to be a saint, and he wants to be a devil—and every time he shuts his eyes he sees himself as a very fine fellow—so fine as he can never be." As Stein contemplates the problem, he too seems to lose substance...
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Conrad's Fiction as Critical Discourse

Richard Ambrosini - 1991 - 274 pàgines
...dovetail with the whole argument: "We want in so many different ways to be," he begins, then adds, man "wants to be a saint, and he wants to be a devil —...fellow - so fine as he can never be ... In a dream . . ." (213). Saint and devil are opposite aspects of the same dream. Jim is romantic because, in his...
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Conrad and Gide: Translation, Transference and Intertextuality

Russell West, Russell West-Pavlov - 1996 - 194 pàgines
...buffeting by real experience. Stein, who has a perfect understanding of this imaginary mechanism, comments, "every time he shuts his eyes he sees himself as a...fellow - so fine as he can never be.... In a dream.... And because you not always can keep your eyes shut there conies the real trouble - the heart pain -...
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Solitude Versus Solidarity in the Novels of Joseph Conrad: Political and ...

Ursula Lord - 1998 - 382 pàgines
...but man will never on his heap of mud keep still. He wants to be so, and again he wants to be so ... He wants to be a saint, and he wants to be a devil...fellow - so fine as he can never be ... In a dream ... And because you not always can keep your eyes shut there comes the real trouble - the heart pain...
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Impressionist Subjects: Gender, Interiority, and Modernist Fiction in England

Tamar Katz - 2000 - 264 pàgines
...Stein takes Jim's story as an opportunity to speculate on the question of '""how tobe'""(199]:" '"[Man) wants to be a saint, and he wants to be a devil —...fellow — so fine as he can never be. ... In a dream. . . . [ . . . ] And because you not always can keep your eyes shut there comes the real trouble [ ......
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