Shakespeare: The Invention of the HumanRiverhead Books, 1998 - 745 pàgines "Shakespeare: The Invention of the Human" is the culmination of Harold Bloom's life's work in reading, writing about, and teaching Shakespeare. It is his passionate and convincing analysis of the way in which Shakespeare not merely represented human nature as we know it today, but actually created it: before Shakespeare, there was characterization; after Shakespeare, there was character, men and women with highly individual personalities -- Hamlet, Falstaff, Iago, Cleopatra, Macbeth, Rosalind, and Lear, among them. In making his argument, Bloom leads us through a brilliant and comprehensive reading of every one of Shakespeare's plays. According to a "New York Times" report on Shakespeare last year, "more people are watching him, reading him, and studying him than ever before." "Shakespeare: The Invention of the Human" is a landmark contribution, a book that will be celebrated and read for many years to come. It explains why Shakespeare has remained our most popular playwright for more than four hundred years, and in helping us to understand ourselves through literature, it restores the role of critic to one of central importance to our culture. |
Des de l'interior del llibre
Resultats 1 - 3 de 66.
Pàgina 171
... comic villain and that Portia would cease to be sympathetic if Shylock were allowed to be a figure of overwhelming pathos . That Shakespeare himself was personally anti - Semitic we reason- ably can doubt , but Shylock is one of those ...
... comic villain and that Portia would cease to be sympathetic if Shylock were allowed to be a figure of overwhelming pathos . That Shakespeare himself was personally anti - Semitic we reason- ably can doubt , but Shylock is one of those ...
Pàgina 238
... comic figure , a Don Quixote of erotomania . That suggests a great truth about Malvolio ; he suffers by being in the wrong play for him . In Ben Jon- son's Volpone or The Alchemist , Malvolio would have been at home , except that he ...
... comic figure , a Don Quixote of erotomania . That suggests a great truth about Malvolio ; he suffers by being in the wrong play for him . In Ben Jon- son's Volpone or The Alchemist , Malvolio would have been at home , except that he ...
Pàgina 276
... comic joy is its enclosure by the Henriad , and from one legitimate perspective , what is Hal except Falstaff's evil genius ? E. E. Stoll shrewdly compared Shakespeare's comic art of isolation in re- gard to Shylock and Falstaff ...
... comic joy is its enclosure by the Henriad , and from one legitimate perspective , what is Hal except Falstaff's evil genius ? E. E. Stoll shrewdly compared Shakespeare's comic art of isolation in re- gard to Shylock and Falstaff ...
Continguts
Shakespeares Universalism | 1 |
The Comedy of Errors | 21 |
The Taming of the Shrew | 28 |
Copyright | |
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allows Antony audience authority become begins believe better Caesar character Christian Cleopatra comedy comes comic consciousness critics dark dead death drama Dream Edgar effect eyes fall Falstaff father fear figure final Fool give Hamlet hath hear heart Henry human imagination invention irony John Jonson keep kind King Lear Lady lago lago's language Lear's least less lines live lord lost Macbeth madness Marlowe matter means Measure mode moral murder nature never night once Othello outrageous performance perhaps personality play play's possible Prince Prospero question remains Richard role Rosalind scene seems sense sexual Shake Shakespeare Shylock speak speare speech spirit stage suggest tell thee thing thou thought tragedy transcends Troilus true turn women wonder