Hamlet: Film, Television, and Audio PerformanceFairleigh Dickinson University Press, 1988 - 344 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 27.
Pàgina 240
... titles here more than it has to in other scenes . Moving forward , Polonius snatches the letter from behind her back and moves right with it . She follows , plead- ing . The title has Polonius's warning : " Ophelia , do not believe Lord ...
... titles here more than it has to in other scenes . Moving forward , Polonius snatches the letter from behind her back and moves right with it . She follows , plead- ing . The title has Polonius's warning : " Ophelia , do not believe Lord ...
Pàgina 262
... titles come from the world of the text rather than from the world of the film characters . Separated as these titles are from speech and speaker , they wrench one out of continuity . Brook in his Lear aimed for exactly that disorienting ...
... titles come from the world of the text rather than from the world of the film characters . Separated as these titles are from speech and speaker , they wrench one out of continuity . Brook in his Lear aimed for exactly that disorienting ...
Pàgina 263
... title in the closet scene informing us that " Hamlet believes the king is behind the arras " intrudes on the audience's right to interpret capable acting . These titles point to valid interpretations , but film whenever possible should ...
... title in the closet scene informing us that " Hamlet believes the king is behind the arras " intrudes on the audience's right to interpret capable acting . These titles point to valid interpretations , but film whenever possible should ...
Continguts
12489 | 7 |
Hamlet on Stage Page and Screen | 21 |
BBCTV Hamlet | 62 |
Copyright | |
No s’hi han mostrat 16 seccions
Frases i termes més freqüents
acting action actors audience Barrymore begins Bernardo Boston Shakespeare Company broadcast camera castle character CINES Claudius's close closet scene closeup court scene courtyard director duel Edition Edward Dmytryk effect Elsinore entrance Evans example exit face film's Forbes Robertson Fortinbras frame George Schaefer Gertrude's gesture ghost Gielgud gravedigger Halstead hand high-angle shot Horatio interpretation Janus Films John John Gielgud king and queen Kozintsev Laertes Laertes's lines long shot looks Lyth Lyth's mad scene Marcellus Maurice Evans medium shots Mousetrap moving images nunnery scene Olivier Hamlet Olivier's Hamlet omits Ophelia Osric performance perhaps play play-within-a-play Player King Player Queen plot Polonius Polonius's prayer scene prologue reveal Richardson Rosencrantz and Guildenstern script seems segment setting shows silent films smile soliloquy sound recordings space speaks speech stage direction stage production suggest sword television tell theater tion titles visual voice walks William Shakespeare Wilson words
Referències a aquest llibre
Legitimate Cinema: Theatre Stars in Silent British Films, 1908-1918 Jon Burrows Previsualització no disponible - 2003 |