Hamlet: Film, Television, and Audio PerformanceFairleigh Dickinson University Press, 1988 - 344 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 65.
Pàgina 275
... sound recordings may appear even more limiting than silent films . But , just as silent films . communicate sounds through sight , so do recordings through sound imply setting and evoke an image of costume . Wind sound , crowd noises ...
... sound recordings may appear even more limiting than silent films . But , just as silent films . communicate sounds through sight , so do recordings through sound imply setting and evoke an image of costume . Wind sound , crowd noises ...
Pàgina 278
... sound is of a relaxed crowd - an interpretative choice . Other sounds are more neutral , but even neutral sounds have their emotional effect , distancing us , as it were , from the action . The Welles broadcast uses a wide range of sounds ...
... sound is of a relaxed crowd - an interpretative choice . Other sounds are more neutral , but even neutral sounds have their emotional effect , distancing us , as it were , from the action . The Welles broadcast uses a wide range of sounds ...
Pàgina 284
... Sound recordings go further , standing in for stage productions through aural means and especially through their fore- grounding of the actor . This seems to be true regardless of the presence or absence of a physical stage , whether ...
... Sound recordings go further , standing in for stage productions through aural means and especially through their fore- grounding of the actor . This seems to be true regardless of the presence or absence of a physical stage , whether ...
Continguts
12489 | 7 |
Hamlet on Stage Page and Screen | 21 |
BBCTV Hamlet | 62 |
Copyright | |
No s’hi han mostrat 16 seccions
Frases i termes més freqüents
acting action actors audience Barrymore begins Bernardo Boston Shakespeare Company broadcast camera castle character CINES Claudius's close closet scene closeup court scene courtyard director duel Edition Edward Dmytryk effect Elsinore entrance Evans example exit face film's Forbes Robertson Fortinbras frame George Schaefer Gertrude's gesture ghost Gielgud gravedigger Halstead hand high-angle shot Horatio interpretation Janus Films John John Gielgud king and queen Kozintsev Laertes Laertes's lines long shot looks Lyth Lyth's mad scene Marcellus Maurice Evans medium shots Mousetrap moving images nunnery scene Olivier Hamlet Olivier's Hamlet omits Ophelia Osric performance perhaps play play-within-a-play Player King Player Queen plot Polonius Polonius's prayer scene prologue reveal Richardson Rosencrantz and Guildenstern script seems segment setting shows silent films smile soliloquy sound recordings space speaks speech stage direction stage production suggest sword television tell theater tion titles visual voice walks William Shakespeare Wilson words
Referències a aquest llibre
Legitimate Cinema: Theatre Stars in Silent British Films, 1908-1918 Jon Burrows Previsualització no disponible - 2003 |