Hamlet: Film, Television, and Audio PerformanceFairleigh Dickinson University Press, 1988 - 344 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 84.
Pàgina 26
... seem to provide the most satisfying background for film . On the other hand , largely empty or suggestive and symbolic ... seems to allow us to see all the actions and reactions in a shot , not merely those of the major figures , just as ...
... seem to provide the most satisfying background for film . On the other hand , largely empty or suggestive and symbolic ... seems to allow us to see all the actions and reactions in a shot , not merely those of the major figures , just as ...
Pàgina 91
... seems that her words , which he retains , are accurate.3 Hamlet must realize that she is too weak to join with him as she cringes from his keen stare . His rejection of Ophelia thus does not imply a revulsion against women in general ...
... seems that her words , which he retains , are accurate.3 Hamlet must realize that she is too weak to join with him as she cringes from his keen stare . His rejection of Ophelia thus does not imply a revulsion against women in general ...
Pàgina 171
... seems drawn more from the stage direction implied by her Valentine's Day song than from that suggested by her ... seem to call for.2 In noncrowd scenes , atmospheric elements contribute interest and vari- ety to tight shots . The single ...
... seems drawn more from the stage direction implied by her Valentine's Day song than from that suggested by her ... seem to call for.2 In noncrowd scenes , atmospheric elements contribute interest and vari- ety to tight shots . The single ...
Continguts
12489 | 7 |
Hamlet on Stage Page and Screen | 21 |
BBCTV Hamlet | 62 |
Copyright | |
No s’hi han mostrat 16 seccions
Frases i termes més freqüents
acting action actors audience Barrymore begins Bernardo Boston Shakespeare Company broadcast camera castle character CINES Claudius's close closet scene closeup court scene courtyard director duel Edition Edward Dmytryk effect Elsinore entrance Evans example exit face film's Forbes Robertson Fortinbras frame George Schaefer Gertrude's gesture ghost Gielgud gravedigger Halstead hand high-angle shot Horatio interpretation Janus Films John John Gielgud king and queen Kozintsev Laertes Laertes's lines long shot looks Lyth Lyth's mad scene Marcellus Maurice Evans medium shots Mousetrap moving images nunnery scene Olivier Hamlet Olivier's Hamlet omits Ophelia Osric performance perhaps play play-within-a-play Player King Player Queen plot Polonius Polonius's prayer scene prologue reveal Richardson Rosencrantz and Guildenstern script seems segment setting shows silent films smile soliloquy sound recordings space speaks speech stage direction stage production suggest sword television tell theater tion titles visual voice walks William Shakespeare Wilson words
Referències a aquest llibre
Legitimate Cinema: Theatre Stars in Silent British Films, 1908-1918 Jon Burrows Previsualització no disponible - 2003 |