Hamlet: Film, Television, and Audio PerformanceFairleigh Dickinson University Press, 1988 - 344 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 35.
Pàgina 42
... response on Ophelia's or Gertrude's part , Shakespeare could be signaling their opposition or even defiance . This would be a matter of directorial choice . The option for Gertrude's resistance is taken up , for example , in the Evans ...
... response on Ophelia's or Gertrude's part , Shakespeare could be signaling their opposition or even defiance . This would be a matter of directorial choice . The option for Gertrude's resistance is taken up , for example , in the Evans ...
Pàgina 74
... response from at least some in the audience and perhaps not just from those for whom caviar would be a waste . Perhaps the audience too would be impatient with this seemingly digressive display , which brings all action to a stand ...
... response from at least some in the audience and perhaps not just from those for whom caviar would be a waste . Perhaps the audience too would be impatient with this seemingly digressive display , which brings all action to a stand ...
Pàgina 202
... response critics - and audience - response critics - say that words , whether read or enacted , have no meaning until the perceiver supplies their meaning . The words on the page , or the spectacle and words spoken on the stage and on ...
... response critics - and audience - response critics - say that words , whether read or enacted , have no meaning until the perceiver supplies their meaning . The words on the page , or the spectacle and words spoken on the stage and on ...
Continguts
12489 | 7 |
Hamlet on Stage Page and Screen | 21 |
BBCTV Hamlet | 62 |
Copyright | |
No s’hi han mostrat 16 seccions
Frases i termes més freqüents
acting action actors audience Barrymore begins Bernardo Boston Shakespeare Company broadcast camera castle character CINES Claudius's close closet scene closeup court scene courtyard director duel Edition Edward Dmytryk effect Elsinore entrance Evans example exit face film's Forbes Robertson Fortinbras frame George Schaefer Gertrude's gesture ghost Gielgud gravedigger Halstead hand high-angle shot Horatio interpretation Janus Films John John Gielgud king and queen Kozintsev Laertes Laertes's lines long shot looks Lyth Lyth's mad scene Marcellus Maurice Evans medium shots Mousetrap moving images nunnery scene Olivier Hamlet Olivier's Hamlet omits Ophelia Osric performance perhaps play play-within-a-play Player King Player Queen plot Polonius Polonius's prayer scene prologue reveal Richardson Rosencrantz and Guildenstern script seems segment setting shows silent films smile soliloquy sound recordings space speaks speech stage direction stage production suggest sword television tell theater tion titles visual voice walks William Shakespeare Wilson words
Referències a aquest llibre
Legitimate Cinema: Theatre Stars in Silent British Films, 1908-1918 Jon Burrows Previsualització no disponible - 2003 |