Hamlet: Film, Television, and Audio PerformanceFairleigh Dickinson University Press, 1988 - 344 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 51.
Pàgina 51
... follow Olivier in the elaborateness of the players ' entrance . The point of entrance may also be significant . Horatio's entrance before the play scene in the texts follows the players ' exit , after Hamlet has hurried Rosencrantz and ...
... follow Olivier in the elaborateness of the players ' entrance . The point of entrance may also be significant . Horatio's entrance before the play scene in the texts follows the players ' exit , after Hamlet has hurried Rosencrantz and ...
Pàgina 57
... follow him " ( Q2 , F1 , BBC ) . Papp's 1982 Hamlet screwed an interesting twist on this conversation by showing Horatio reluctant to follow . His " Have after " clearly meant " You go after if you want ; I'm not budging . " Horatio's ...
... follow him " ( Q2 , F1 , BBC ) . Papp's 1982 Hamlet screwed an interesting twist on this conversation by showing Horatio reluctant to follow . His " Have after " clearly meant " You go after if you want ; I'm not budging . " Horatio's ...
Pàgina 174
... follows immediately after he says " All may be well " ( line 72 ) , be- cause Hamlet's speech is cut . Hamlet's ... follow Hamlet's thoughts . Richardson employs a combination of aural and visual effects to add The Williamson Hamlet ...
... follows immediately after he says " All may be well " ( line 72 ) , be- cause Hamlet's speech is cut . Hamlet's ... follow Hamlet's thoughts . Richardson employs a combination of aural and visual effects to add The Williamson Hamlet ...
Continguts
12489 | 7 |
Hamlet on Stage Page and Screen | 21 |
BBCTV Hamlet | 62 |
Copyright | |
No s’hi han mostrat 16 seccions
Frases i termes més freqüents
acting action actors audience Barrymore begins Bernardo Boston Shakespeare Company broadcast camera castle character CINES Claudius's close closet scene closeup court scene courtyard director duel Edition Edward Dmytryk effect Elsinore entrance Evans example exit face film's Forbes Robertson Fortinbras frame George Schaefer Gertrude's gesture ghost Gielgud gravedigger Halstead hand high-angle shot Horatio interpretation Janus Films John John Gielgud king and queen Kozintsev Laertes Laertes's lines long shot looks Lyth Lyth's mad scene Marcellus Maurice Evans medium shots Mousetrap moving images nunnery scene Olivier Hamlet Olivier's Hamlet omits Ophelia Osric performance perhaps play play-within-a-play Player King Player Queen plot Polonius Polonius's prayer scene prologue reveal Richardson Rosencrantz and Guildenstern script seems segment setting shows silent films smile soliloquy sound recordings space speaks speech stage direction stage production suggest sword television tell theater tion titles visual voice walks William Shakespeare Wilson words
Referències a aquest llibre
Legitimate Cinema: Theatre Stars in Silent British Films, 1908-1918 Jon Burrows Previsualització no disponible - 2003 |