Hamlet: Film, Television, and Audio PerformanceFairleigh Dickinson University Press, 1988 - 344 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 46.
Pàgina 132
... allows us to see them in a blur beyond the closeup of Hamlet's face . When Hamlet , looking at a mini- ature on a chain ... allow for expressionistic cuts , Eisensteinian montage . The soliloquy ends as Claudius says , with a sound of ...
... allows us to see them in a blur beyond the closeup of Hamlet's face . When Hamlet , looking at a mini- ature on a chain ... allow for expressionistic cuts , Eisensteinian montage . The soliloquy ends as Claudius says , with a sound of ...
Pàgina 140
... allow for much dramatic movement ; so instead the production substitutes a kind of deliberate intensity . Wirth uses the tight style to make points about relationships . After the sentry scene , the camera cuts to the court , where men ...
... allow for much dramatic movement ; so instead the production substitutes a kind of deliberate intensity . Wirth uses the tight style to make points about relationships . After the sentry scene , the camera cuts to the court , where men ...
Pàgina 165
... allows enough space around the closeups for Laertes to make his first admission to Osric alone and for the ... allow the play to play itself , is the slender margin of gain from a few apt settings - the outdoor setting for ...
... allows enough space around the closeups for Laertes to make his first admission to Osric alone and for the ... allow the play to play itself , is the slender margin of gain from a few apt settings - the outdoor setting for ...
Continguts
12489 | 7 |
Hamlet on Stage Page and Screen | 21 |
BBCTV Hamlet | 62 |
Copyright | |
No s’hi han mostrat 16 seccions
Frases i termes més freqüents
acting action actors audience Barrymore begins Bernardo Boston Shakespeare Company broadcast camera castle character CINES Claudius's close closet scene closeup court scene courtyard director duel Edition Edward Dmytryk effect Elsinore entrance Evans example exit face film's Forbes Robertson Fortinbras frame George Schaefer Gertrude's gesture ghost Gielgud gravedigger Halstead hand high-angle shot Horatio interpretation Janus Films John John Gielgud king and queen Kozintsev Laertes Laertes's lines long shot looks Lyth Lyth's mad scene Marcellus Maurice Evans medium shots Mousetrap moving images nunnery scene Olivier Hamlet Olivier's Hamlet omits Ophelia Osric performance perhaps play play-within-a-play Player King Player Queen plot Polonius Polonius's prayer scene prologue reveal Richardson Rosencrantz and Guildenstern script seems segment setting shows silent films smile soliloquy sound recordings space speaks speech stage direction stage production suggest sword television tell theater tion titles visual voice walks William Shakespeare Wilson words
Referències a aquest llibre
Legitimate Cinema: Theatre Stars in Silent British Films, 1908-1918 Jon Burrows Previsualització no disponible - 2003 |