Hamlet: Film, Television, and Audio PerformanceFairleigh Dickinson University Press, 1988 - 344 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 65.
Pàgina 92
... Kozintsev does not encourage the audience to concur . As he says , “ It is not always necessary to believe what people say about themselves " ( 223 ) . Only Hamlet accuses himself of delay , a sense not based on any external reality but ...
... Kozintsev does not encourage the audience to concur . As he says , “ It is not always necessary to believe what people say about themselves " ( 223 ) . Only Hamlet accuses himself of delay , a sense not based on any external reality but ...
Pàgina 109
... Kozintsev ) to- gether to see the effect of the differences . As Kozintsev says of others ' versions , " A concept of a certain role can be understood by what cuts were made in the character's lines " ( 129 ) . Kozintsev uses his ...
... Kozintsev ) to- gether to see the effect of the differences . As Kozintsev says of others ' versions , " A concept of a certain role can be understood by what cuts were made in the character's lines " ( 129 ) . Kozintsev uses his ...
Pàgina 112
... Kozintsev adds some powerful visual images , such as the broken cross ) . But perhaps most important is Kozintsev's elimination of the reason for Hamlet's praise of Horatio , which Kozintsev moves to their meeting after Hamlet's return ...
... Kozintsev adds some powerful visual images , such as the broken cross ) . But perhaps most important is Kozintsev's elimination of the reason for Hamlet's praise of Horatio , which Kozintsev moves to their meeting after Hamlet's return ...
Continguts
12489 | 7 |
Hamlet on Stage Page and Screen | 21 |
BBCTV Hamlet | 62 |
Copyright | |
No s’hi han mostrat 16 seccions
Frases i termes més freqüents
acting action actors audience Barrymore begins Bernardo Boston Shakespeare Company broadcast camera castle character CINES Claudius's close closet scene closeup court scene courtyard director duel Edition Edward Dmytryk effect Elsinore entrance Evans example exit face film's Forbes Robertson Fortinbras frame George Schaefer Gertrude's gesture ghost Gielgud gravedigger Halstead hand high-angle shot Horatio interpretation Janus Films John John Gielgud king and queen Kozintsev Laertes Laertes's lines long shot looks Lyth Lyth's mad scene Marcellus Maurice Evans medium shots Mousetrap moving images nunnery scene Olivier Hamlet Olivier's Hamlet omits Ophelia Osric performance perhaps play play-within-a-play Player King Player Queen plot Polonius Polonius's prayer scene prologue reveal Richardson Rosencrantz and Guildenstern script seems segment setting shows silent films smile soliloquy sound recordings space speaks speech stage direction stage production suggest sword television tell theater tion titles visual voice walks William Shakespeare Wilson words
Referències a aquest llibre
Legitimate Cinema: Theatre Stars in Silent British Films, 1908-1918 Jon Burrows Previsualització no disponible - 2003 |