Antony and Cleopatra

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Dutton, 1905 - 142 pàgines
Now available in beautiful World's Classics editions--with handsome, four-color covers and new low prices--The Oxford Shakespeare offers new and authoritative edions of Shakespeare's plays. In each volume, an introductory essay provides all relevant background information together with an appraisal of critical views and the play's performance history. In addition, the detailed commentaries pay particular attention to the language and staging. These editions are perfect for all readers, whether actors needing stage directions, students desiring comprehensive (yet inobtrusive) notes, or the reader of classic literature returning to the Bard's timeless writings.The most formally ambitious and poetically brilliant of Shakespeare's tragedies, Anthony and Cleopatra is also one of his most critically contentious plays in terms of the degree and nature of its success. Always alert to the play's theatricality and boldly experimental design, the wide-ranging introduction offers a fresh critical account of the play, exploring its paradoxical treatment of gender and identity as well as the rich complexity and tensions of its much-loved poetic language. With a generous appendix of Shakespeare's source materials, this edition also offers a full stage history.
 

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Passatges populars

Pàgina 85 - The loyalty well held to fools does make Our faith mere folly : yet he that can endure To follow with allegiance a fall'n lord Does conquer him that did his master conquer, And earns a place i
Pàgina 120 - Well bury him; and then, what's brave, what's noble, Let's do it after the high Roman fashion, And make Death proud to take us. Come, away; This case of that huge spirit now is cold. Ah, women, women! come; we have no friend But resolution, and the briefest end.
Pàgina 117 - I dare not, dear, (Dear my lord, pardon) I dare not, Lest I be taken : not...
Pàgina ix - Never ; he will not : Age cannot wither her, nor custom stale Her infinite variety : other women cloy The appetites they feed : but she makes hungry Where most she satisfies : for vilest things Become themselves in her; that the holy priests Bless her when she is riggish.
Pàgina x - You lie, up to the hearing of the gods. But, if there be, or ever were one such, It's past the size of dreaming: Nature wants stuff To vie strange forms with fancy; yet, to imagine An Antony, were nature's piece 'gainst fancy, Condemning shadows quite.
Pàgina 121 - The breaking of so great a thing should make A greater crack : the round world Should have shook lions into civil streets, And citizens to their dens : the death of Antony Is not a single doom ; in the name lay A moiety of the world.
Pàgina 35 - Her gentlewomen, like the Nereides, So many mermaids, tended her i' the eyes. And made their bends adornings : at the helm A seeming mermaid steers : the silken tackle Swell with the touches of those flower-soft hands, That yarely frame the office. From the barge A strange invisible perfume hits the sense Of the adjacent wharfs. The city cast Her people out upon her ; and Antony, Enthroned i...
Pàgina 139 - Charmian lived but now; she stood and spake: I found her trimming up the diadem On her dead mistress ; tremblingly she stood And on the sudden dropp'd.
Pàgina 109 - Sometime we see a cloud that's dragonish ; A vapour sometime like a bear or lion, A tower'd citadel, a pendent rock, A forked mountain, or blue promontory With trees upon't, that nod unto the world, And mock our eyes with air : thou hast seen these signs ; They are black vesper's pageants.
Pàgina ix - His legs bestrid the ocean: his rear'd arm Crested the world: his voice was propertied As all the tuned spheres, and that to friends; But when he meant to quail and shake the orb, He was as rattling thunder.

Sobre l'autor (1905)

William Shakespeare, 1564 - 1616 Although there are many myths and mysteries surrounding William Shakespeare, a great deal is actually known about his life. He was born in Stratford-Upon-Avon, son of John Shakespeare, a prosperous merchant and local politician and Mary Arden, who had the wealth to send their oldest son to Stratford Grammar School. At 18, Shakespeare married Anne Hathaway, the 27-year-old daughter of a local farmer, and they had their first daughter six months later. He probably developed an interest in theatre by watching plays performed by traveling players in Stratford while still in his youth. Some time before 1592, he left his family to take up residence in London, where he began acting and writing plays and poetry. By 1594 Shakespeare had become a member and part owner of an acting company called The Lord Chamberlain's Men, where he soon became the company's principal playwright. His plays enjoyed great popularity and high critical acclaim in the newly built Globe Theatre. It was through his popularity that the troupe gained the attention of the new king, James I, who appointed them the King's Players in 1603. Before retiring to Stratford in 1613, after the Globe burned down, he wrote more than three dozen plays (that we are sure of) and more than 150 sonnets. He was celebrated by Ben Jonson, one of the leading playwrights of the day, as a writer who would be "not for an age, but for all time," a prediction that has proved to be true. Today, Shakespeare towers over all other English writers and has few rivals in any language. His genius and creativity continue to astound scholars, and his plays continue to delight audiences. Many have served as the basis for operas, ballets, musical compositions, and films. While Jonson and other writers labored over their plays, Shakespeare seems to have had the ability to turn out work of exceptionally high caliber at an amazing speed. At the height of his career, he wrote an average of two plays a year as well as dozens of poems, songs, and possibly even verses for tombstones and heraldic shields, all while he continued to act in the plays performed by the Lord Chamberlain's Men. This staggering output is even more impressive when one considers its variety. Except for the English history plays, he never wrote the same kind of play twice. He seems to have had a good deal of fun in trying his hand at every kind of play. Shakespeare wrote 154 sonnets, all published on 1609, most of which were dedicated to his patron Henry Wriothsley, The Earl of Southhampton. He also wrote 13 comedies, 13 histories, 6 tragedies, and 4 tragecomedies. He died at Stratford-upon-Avon April 23, 1616, and was buried two days later on the grounds of Holy Trinity Church in Stratford. His cause of death was unknown, but it is surmised that he knew he was dying.

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