it? great experiences which give new mean- punishment. A rusty hook projected ing to the life of a child. from one of the joists a little higher than a man's head. Something was hanging from it, an old garment, was She went bravely up and touched a cold hand. She did what most children of that age would do, — uttered a cry, and ran down stairs with all her might. She rushed out of the door and called to the man Patrick, who was doing some work about the place. What could be done was done, but it was too late. Her Uncle Malachi had seemed to have a strong liking for her at one time, but of late years his delusions had gained upon him, and under their influence he seemed to regard her as an encumbrance and an extravagance. He was growing more and more solitary in his habits, more and more negligent of his appearance. He was up late at night, wandering about the house from the cellar to the garret, so that, his light being seen flitting from window to window, the story got about that the old house was haunted. One dreary, rainy Friday in November, Myrtle was left alone in the house. Her uncle had been gone since the day before. The two women were both away at the village. At such times the child took a strange delight in exploring all the hiding-places of the old mansion. She had the mysterious dwelling-place of so many of the dead and the living all to herself. What a fearful kind of pleasure in its silence and loneliness! The old clock that Marmaduke Storr made in London more than a hundred years ago was clicking the steady pulse-beats of its second century. The featured moon on its dial had lifted one eye, as if to watch the child, as it had watched so many generations of children, while the swinging pendulum ticked them along into youth, maturity, gray hairs, death-beds, ticking through the prayer at the funeral, — ticking without grief through all the still or noisy woe of mourning, ticking without joy when the smiles and gayety of comforted heirs had come back again. She looked at herself in the tall, bevelled mirror in the best chamber. She pulled aside the curtains of the stately bedstead whereon the heads of the house had slept until they died and were stretched out upon it, and the sheet shaped itself to them in vague, awful breadth of outline, like a block of monumental marble the sculptor leaves just hinted by the chisel. She groped her way up to the dim garret, the scene of her memorable Uncle Malachi had made away with himself. That was plain on the face of things. In due time the coroner's verdict settled it. It was not so strange as it seemed; but it made a great talk in the village and all the country round about. Everybody knew he had money enough, and yet he had hanged himself for fear of starving to death. For all that, he was found to have left a will, dated some years before, leaving his property to his sister Silence, with the exception of a certain moderate legacy to be paid in money to Myrtle Hazard when she should arrive at the age of twenty years. The household seemed more chilly than ever after this tragical event. Its depressing influence followed the child to school, where she learned the common branches of knowledge. It followed her to the Sabbath-day catechisings, where she repeated the answers about the federal headship of Adam, and her consequent personal responsibilities, and other technicalities which are hardly milk for babes, perhaps as well as other children, but without any very profound remorse for what she could not help, so far as she understood the matter, any more than her sex or stature, and with no very clear comprehension of the phrases which the New England followers of the Westminster divines made a part of the elementary instruction of young people. At twelve years old she had grown tall and womanly enough to attract the eyes of the youth and older boys, several of whom made advances towards her acquaintance. But the dreary discipline of the household had sunk into her soul, and she had been shaping an internal life for herself which it was hard for friendship to penetrate. Bathsheba Stoker was chained to the bedside of an invalid mother. Olive Eveleth, a kind, true-hearted girl, belonged to another religious communion; and this tended to render their meetings less frequent, though Olive was still her nearest friend. Cyprian was himself a little shy, and rather held to Myrtle through his sister than by any true intimacy directly with herself. Of the other young men of the village Gifted Hopkins was perhaps the most fervent of her admirers, as he had repeatedly shown by effusions in verse, of which, under the thinnest of disguises, she was the object. Murray Bradshaw, ten years older than herself, a young man of striking aspect and claims to exceptional ability, had kept his eye on her of late; but it was generally supposed that he would find a wife in the city, where he was in the habit of going to visit a fashionable relative, Mrs. Clymer Ketchum, of 24 Carat Place. She, at any rate, understood very well that he meant, to use his own phrase, "to go in for a corner lot," understanding thereby a young lady with possessions and without encumbrances. If the old man had only given his money to Myrtle, Murray Bradshaw would have made sure of her; but she was not likely ever to get much of it. Miss Silence Withers, it was understood, would probably leave her money as the Rev. Mr. Stoker, her spiritual director, should indicate, and it seemed likely that most of it would go to a rising educational institution where certain given doctrines were to be taught through all time, whether disproved or not, and whether those who taught them believed them or not, provided only they would say they believed them. Nobody had promised to say masses for her soul if she made this disposition of her property, or pledged the word of the Church that she should have plenary absolution. But she felt that she would be making friends in Influential Quarters by thus laying up her treasure, and that she would be safe if she had the good-will of the ministers of her sect. Myrtle Hazard had nearly reached the age of fourteen, and, though not like to inherit much of the family property, was fast growing into a large dower of hereditary beauty. Always handsome, her features shaped themselves in a finer symmetry, her color grew richer, her figure promised a perfect womanly development, and her movements had the grace which high-breeding gives the daughter of a queen, and which Nature now and then teaches the humblest of village maidens. She could not long escape the notice of the lovers and flatterers of beauty, and the time of danger was drawing near. At this period of her life she made two discoveries which changed the whole course of her thoughts, and opened for her a new world of ideas and possibilities. Ever since the dreadful event of November, 1854, the garret had been a fearful place to think of, and still more to visit. The stories that the house was haunted gained in frequency of repetition and detail of circumstance. But Myrtle was bold and inquisitive, and explored its recesses at such times as she could creep among them undisturbed. Hid away close under the eaves she found an old trunk covered with dust and cobwebs. The mice had gnawed through its leather hinges, and, as it had been hastily stuffed full, the cover had risen, and two or three volumes had fallen to the floor. This trunk held the papers and books which her greatgrandmother, the famous beauty, had left behind her, records of the romantic days when she was the belle of the county, story-books, memoirs, novels, and poems, and not a few loveletters, —a strange collection, which, as so often happens with such deposits in old families, nobody had cared to meddle with, and nobody had been willing to destroy, until at last they had passed out of mind, and waited for a new generation to bring them into light again. The other discovery was of a small hoard of coin. Under one of the boards which formed the imperfect flooring of the garret was hidden an old leather mitten. Instead of a hand, it had a fat fist of silver dollars, and a thumb of gold half-eagles. Thus knowledge and power found their way to the simple and secluded maiden. The books were hers to read as much as any other's; the gold and silver were only a part of that small provision which would be hers by and by, and if she borrowed it, it was borrowing of herself. The tree of the knowledge of good and evil had shaken its fruit into her lap, and, without any serpent to tempt her, she took thereof and did eat. FITZ ADAM'S STORY.* HE next whose fortune 't was a tale to tell THE Was one whom men, before they thought, loved well, And after thinking wondered why they did, For half he seemed to let them, half forbid, And wrapped him so in humors, sheath on sheath, - Betrayed his true self by a smile or tear, He lived uneaseful on the Other Side The greater part of this poem was written many years ago, to form part of a larger one to be called "The Nooning," made up of tales in verse, some of them grave, some comic. And he half felt that what in them was grace What powers he had he hardly cared to know, But sauntered through the world as through a show, A sort of mild La Bruyère on half-pay. For comic weaknesses he had an eye Yet you could feel, through his sardonic tone, He loved them all, unless they were his own. You might have called him, with his humorous twist, As these bring home, from every walk they take, For all they caught of mortal oddities. He satirized himself the first of all, In men and their affairs could find no law, Scratching a match to light his pipe anew, That saved for evenings round the polished board Still they're your only hope; no midnight oil Makes up for virtue wanting in the soil; Manure them well and prune them; 't won't be France, Nor Spain, nor Italy, but there's your chance. You have one story-teller worth a score Of dead Boccaccios, nay, add twenty more, A hawthorn asking spring's most southern breath, My memory to a story by degrees, 6 Though you will cry, Enough!' I'm wellnigh sure, "All tourists know Shebagog County; there Encore the sunrise (if they 're out of bed), And pat the Mighty Mother on the head: These have I seen, - all things are good to see, And wondered much at their complacency; Sights that God gleams through with soul-tingling force Not thinking, 'Are we worthy?' What if all I often wonder what the Mountain thinks Of French boots creaking o'er his breathless brinks, Or how the Sun would scare the chattering crowd, If some fine day he chanced to think aloud. "I, who love Nature much as sinners can, As deer shrink northward from the settler's fire, |