The Muses of Resistance: Laboring-Class Women's Poetry in Britain, 1739-1796

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Cambridge University Press, 1990 - 325 pàgines
In this challenging 1990 study, Donna Landry shows how an understanding of the remarkable but neglected careers of laboring-class women poets in the eighteenth century provokes a reassessment of our ideas concerning the literature of the period. Poets such as the washerwoman Mary Collier, the milkwoman Ann Yearsley, the domestic servants Mary Leapor and Elizabeth Hands, the dairywoman Janet Little, and the slave Phyllis Wheatley can be seen adapting the conventions of polite verse for the purposes of social criticism. Some of their strategies relate to earlier texts, revealing ideological blind spots in the tropes of male poets. Elsewhere, they made interesting innovations in poetic form. Mary Leapor's 'Crumble Hall', for instance, by attending to sexual politics, extends the critique of aristocratic privilege in the country-house poem beyond that of Pope and Crabbe. In Ann Yearsley's verse, landscape description, historical narrative, and philosophical meditation are infused with political comment. Historically important, technically impressive and often aesthetically innovative, the poetic achievements of these plebeian women writers constitute an exciting literary discovery.

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Continguts

the discourse of workingwomens verse II
11
some problems in feminist literary
56
An English Sappho brilliant young and dead? Mary Leapor laughs
78
Patronage and patronizing relations
99
Reading CrumbleHall
107
workingclass writer
120
the two Elizabeths
186
the marginality of cultural difference
217
revolutions that as yet have no model
254
Notes
281
Index
317
Copyright

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