The Muses of Resistance: Laboring-Class Women's Poetry in Britain, 1739-1796Cambridge University Press, 1990 - 325 pàgines In this challenging 1990 study, Donna Landry shows how an understanding of the remarkable but neglected careers of laboring-class women poets in the eighteenth century provokes a reassessment of our ideas concerning the literature of the period. Poets such as the washerwoman Mary Collier, the milkwoman Ann Yearsley, the domestic servants Mary Leapor and Elizabeth Hands, the dairywoman Janet Little, and the slave Phyllis Wheatley can be seen adapting the conventions of polite verse for the purposes of social criticism. Some of their strategies relate to earlier texts, revealing ideological blind spots in the tropes of male poets. Elsewhere, they made interesting innovations in poetic form. Mary Leapor's 'Crumble Hall', for instance, by attending to sexual politics, extends the critique of aristocratic privilege in the country-house poem beyond that of Pope and Crabbe. In Ann Yearsley's verse, landscape description, historical narrative, and philosophical meditation are infused with political comment. Historically important, technically impressive and often aesthetically innovative, the poetic achievements of these plebeian women writers constitute an exciting literary discovery. |
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Continguts
the discourse of workingwomens verse II | 11 |
some problems in feminist literary | 56 |
An English Sappho brilliant young and dead? Mary Leapor laughs | 78 |
Patronage and patronizing relations | 99 |
Reading CrumbleHall | 107 |
workingclass writer | 120 |
Altres edicions - Mostra-ho tot
The Muses of Resistance: Laboring-Class Women's Poetry in Britain, 1739-1796 Donna Landry Visualització de fragments - 1990 |
The Muses of Resistance: Laboring-Class Women's Poetry in Britain, 1739-1796 Donna Landry Previsualització no disponible - 2005 |
Frases i termes més freqüents
aesthetic Ann Yearsley Bentley Bentley's bourgeois Bristol British century class-specific Clifton Hill contemporary contradictions country-house critical Crumble-Hall cultural Daphne desire discourse domestic Duck's E. P. Thompson eighteenth eighteenth-century Elizabeth Elizabeth Bentley Elizabeth Hands English Epistle erotic feminism feminist Freemantle gender genius georgic Hands Hands's Hannah Huntington Library Huntington Library manuscript ideology ironically Janet Little laboring classes laboring-class Lactilla Lady language Leapor's liberty literary history Little's London male marriage Mary Astell Mary Collier Mary Leapor Mira Mira's Montagu More's mother muse narrative o'er œuvre oppression pastoral patron patronage Phillis Wheatley pleasure plebeian poetic poetry political poor Pope Pope's possible praise production protest protofeminist radical relations representation represents Rural Lyre Sappho satire Scottish seems sense servants sexual slave slavery social Stephen Duck swain textual tradition University Press verse volume Walpole's Wheatley's Wollstonecraft woman Woman's Labour women poets women writers working-class writing Yearsley's Yearsley's poem
Referències a aquest llibre
Lyric Generations: Poetry and the Novel in the Long Eighteenth Century G. Gabrielle Starr Previsualització limitada - 2004 |
Women as Sites of Culture: Women's Roles in Cultural Formation from the ... Susan Shifrin Visualització de fragments - 2002 |