After the End of Art: Contemporary Art and the Pale of History - Updated EditionPrinceton University Press, 8 de juny 2021 - 272 pàgines The classic and provocative account of how art changed irrevocably with pop art and why traditional aesthetics can’t make sense of contemporary art |
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... especially sustained by the presence and the responses of Amelie Rorty, Jerrold Levinson, and Richard Arndt, a comrade from my Fulbright days in France. I greatly enjoyed a merry dinner with Elizabeth Cropper and Jean Sutherland Boggs ...
... especially Michael Brenson, Demetrio Paparoni, and Joseph Masheck. But I have received a special reassurance from the qualified interest which artists themselves have taken in my ideas. Sean Scully and David Reed in fact came down to ...
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Continguts
CHAPTER TWO Three Decades after the End of Art 21 | |
CHAPTER THREE Master Narratives and Critical Principles 41 | |
CHAPTER FIVE From Aesthetics to Art Criticism 81 | |
The Passing | |
CHAPTER SEVEN Pop Art and Past Futures 117 | |
CHAPTER EIGHT Painting Politics and PostHistorical Art 135 | |
CHAPTER NINE The Historical Museum of Monochrome Art 153 | |
CHAPTER TEN Museums and the Thirsting Millions 175 | |
CHAPTER ELEVEN | |
Index 221 | |
Altres edicions - Mostra-ho tot
After the End of Art: Contemporary Art and the Pale of History Arthur Coleman Danto Previsualització no disponible - 1997 |
After the End of Art: Contemporary Art and the Pale of History Arthur C. Danto Previsualització no disponible - 2014 |
After the End of Art: Contemporary Art and the Pale of History Arthur Coleman Danto Previsualització no disponible - 1997 |