Shakespeare's Early TragediesRoutledge, 11 d’oct. 2013 - 232 pàgines First published in 1968. Shakespeare's Early Tragedies contains studies of six plays: Titus Andronicus, Richard III, Romeo and Juliet, Richard II, Julius Caesar and Hamlet. The emphasis is on the variety of the plays, and the themes, a variety which has been too often obscured by the belief in a single 'tragic experience'. The kind of experience the plays create and their quality as dramatic works for the stage are also examined. These essays develop an understanding of Shakespeare's use of the stage picture in relation to the emblematic imagery of Elizabethan poetry. |
Des de l'interior del llibre
Resultats 1 - 5 de 12.
Pàgina
... specific points; the books and essays which I have found most interesting are listed in the selective bibliography, though it should be said that some of the more recent items were published after I had drafted my own discussion of the ...
... specific points; the books and essays which I have found most interesting are listed in the selective bibliography, though it should be said that some of the more recent items were published after I had drafted my own discussion of the ...
Pàgina 6
... specific 'influence'. The deliberate use on the stage of forms evolved specifically for non-dramatic verse may well sound unpromising. But it is already clear in The Rape of Latreee that for Shakespeare the Spenserian mode has ...
... specific 'influence'. The deliberate use on the stage of forms evolved specifically for non-dramatic verse may well sound unpromising. But it is already clear in The Rape of Latreee that for Shakespeare the Spenserian mode has ...
Pàgina 7
... specific programme of dramatic criticism to propound, any more than I have a theory of tragedy; but there are of course principles that govern the selection of points to discuss or to pass over. Much of this is more or less subconscious ...
... specific programme of dramatic criticism to propound, any more than I have a theory of tragedy; but there are of course principles that govern the selection of points to discuss or to pass over. Much of this is more or less subconscious ...
Pàgina 30
Heu assolit el vostre límit de visualització per a aquest llibre.
Heu assolit el vostre límit de visualització per a aquest llibre.
Pàgina 39
Heu assolit el vostre límit de visualització per a aquest llibre.
Heu assolit el vostre límit de visualització per a aquest llibre.
Continguts
1 | |
13 | |
Richard III 1593? | 48 |
Romeo and Juliet 1595 | 80 |
Richard II 1595 | 107 |
Julius Caesar 1599 | 138 |
Hamlet 16001 | 163 |
Selective Bibliography | 207 |
Index | 211 |
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
Aaron action Antony audience beast becomes blank verse blood Bolingbroke Brutus Caesar Cassius character choric Clarence’s Claudius climax comedy comic confidence conflict conscience contrast course critical curse death divine doth Dover Wilson dramatic dream earlier plays echoes Edward’s emblem emblematic emerges established fact Faerie Queene figure final finally find fire first fit flesh formal fulfil ghost Hamlet hath heaven and hell heroic Horatio human irony julius Caesar kind king Laertes later Lavinia Lucius magnificent Marcus Margaret Mercutio murder night nobility noble obvious Ophelia pattern play’s poetic poetry political Polonius prose Queen Queen Mab question reflection revenge rhetorical Richard Richard II ritual Roman Rome Romeo and Juliet Saturninus scene seems sense sequence Shakespeare significance simple soliloquy specific speech stage stress structure suggested T. S. Eliot Tamora thee theme thou tion Titer Titus Titus Andronicus tone tragedy tragic utterance verse words