All's Well that Ends WellManchester University Press, 1984 - 126 pàgines Usually classified as a "problem comedy," All's Well that Ends Well is a psychologically disturbing presentation of an aggressive, designing woman and a reluctant husband wooed by trickery. In her introduction Susan Snyder makes the play's clashing ideologies of class and gender newlyaccessible, and offers a fully reconsidered, annotated text for both readers and actors. |
Des de l'interior del llibre
Resultats 1 - 3 de 61.
Pàgina 23
... audience wanted to kick him in the first half of the play , the last act does it for them . The doubts about Bertram felt by the audience finally need the satisfaction of seeing him treated as harshly as possible . Youth and age In ...
... audience wanted to kick him in the first half of the play , the last act does it for them . The doubts about Bertram felt by the audience finally need the satisfaction of seeing him treated as harshly as possible . Youth and age In ...
Pàgina 60
... audience anticipate its outcome . There must be a minimum of five , including Bertram , and to be aware that his turn is still to come , the audience must see him standing at the end of the line , where they can watch his reactions of ...
... audience anticipate its outcome . There must be a minimum of five , including Bertram , and to be aware that his turn is still to come , the audience must see him standing at the end of the line , where they can watch his reactions of ...
Pàgina 78
... audience may listen to its contents and watch the Countess's reactions at the same time . On this occasion Lavache is not on stage : there is less and less cause for humour . From Helena's soliloquy we already know much of what her ...
... audience may listen to its contents and watch the Countess's reactions at the same time . On this occasion Lavache is not on stage : there is less and less cause for humour . From Helena's soliloquy we already know much of what her ...
Continguts
Scene by scene | 34 |
The illustrations between 48 and | 49 |
Bibliography Books and articles | 117 |
Copyright | |
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action actually All's appears audience Barton begins believes Bertram Bridges-Adams calls character comedy comes comic continued Count Countess couplets court cure Designer Diana direction Director drum effect Elizabethan enters entrance eyes face feelings finally Florence France girl give Guthrie Guthrie's hand hath hear Helena honour husband introduced Italy John King King's kiss Lafeu Lavache leave letter light live looks lord mean Michael mother move never Parolles Parolles's Payne performance play prepared present problem production question realistic reported ring Robert Rosemary Leach Rousillon scene seems seen sense serves Shakespeare simple soldiers soliloquy speak speech spirit stage stands story Stratford Stratford-upon-Avon suggest television Theatre thou thought tone touch turn virginity voice Widow wife Willman woman women young youth