Othello: The Moor of VenicePenguin Publishing Group, 1999 - 296 pàgines This edition of "Othello" sheds light on the text of the play as we have come to know it, and on our knowledge of its early history. Professor Honigmann examines major critical issues, the play in performance and the relationship between reading it and seeing it. |
Des de l'interior del llibre
Resultats 1 - 3 de 47.
Pàgina 211
... death , as the death of Gaunt , who takes a sacramental view of king- ship and nation , in Richard II , at the instant when Richard has destroyed , by his personal conduct and by " farming " his realm , the sacramental relationships ...
... death , as the death of Gaunt , who takes a sacramental view of king- ship and nation , in Richard II , at the instant when Richard has destroyed , by his personal conduct and by " farming " his realm , the sacramental relationships ...
Pàgina 239
... death ( Iago's " last words " are " I never will speak word " - ( V.ii.300 ) , while witch- craft - love - speaks after death ( Desdemona's last fare- well ) . Between the poles of wit and witchcraft , all the major characters in the ...
... death ( Iago's " last words " are " I never will speak word " - ( V.ii.300 ) , while witch- craft - love - speaks after death ( Desdemona's last fare- well ) . Between the poles of wit and witchcraft , all the major characters in the ...
Pàgina 248
... death by threatening suicide in the wake of Tybalt's death , Juliet , under pressure , exclaims : " I'll to my wedding bed ; / And death , not Romeo , take my maidenhead ! " ( III.ii.136-37 ) . Read metaphorically , the plot validates ...
... death by threatening suicide in the wake of Tybalt's death , Juliet , under pressure , exclaims : " I'll to my wedding bed ; / And death , not Romeo , take my maidenhead ! " ( III.ii.136-37 ) . Read metaphorically , the plot validates ...
Continguts
Prefatory Remarks | 4 |
Introduction xxiii | 20 |
The Tragedy of Othello | 36 |
Copyright | |
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Frases i termes més freqüents
actor Antony Antony and Cleopatra Bianca Brabantio called Captain Cassio character Cleopatra Clown Coriolanus critic Cyprus death Desdemona devil dost Duke Elizabethan Emilia Ensign Enter Othello Exit fear feminine fool Gentleman give Gratiano Hamlet handkerchief hath hear heart heaven hero honest honor husband Iago Iago's imagery images Is't Jacobean kill King Lear lady lago Lear lieutenant Lodovico look lord lust Macbeth married meaning metaphor Michael Cassio mind Montano Moor murder nature never night noble Othello passion play pray Prithee reading reason Roderigo scene Senator sense sexual Shake Shakespeare Shakespearean tragedy Signior Signoria of Venice soul speak speech stage structure sword tell theater thee thing thou thought tion Tommaso Salvini tonight tragedies tragic Turk University Press Venice villain violence whore wife William Shakespeare witchcraft woman women words Zounds
Referències a aquest llibre
Euphemism & Dysphemism: Language Used as Shield and Weapon Keith Allan,Kate Burridge Visualització de fragments - 1991 |
Bakhtinian Perspectives on Language, Literacy, and Learning Arnetha F. Ball,Sarah Warshauer Freedman Previsualització limitada - 2004 |