as is his ethical spirit, his desire to act upon man and society, his imagination cannot work with things as he finds them, with the actual stuff of historical life. His mode of thinking is not according to the terrestrial conditions of time, place, cause and effect, variety of race, climate, and costume. His persons are shapes, winged forms, modernized versions of Grecian mythology, or mortals highly allegorized; and their movements are vague, swift, and independent of ordinary physical laws. In the "Revolt of Islam," for example, the story is that of two lovers who career through the plains and cities of an imaginary kingdom on a Tartar horse, or skim over leagues of ocean in a boat whose prow is of moonstone. But for the "Cenci," and one or two other pieces, one would say that Shelley had scarcely any aptitude for the historical. Even in his sensuous imagery the same arbitrariness is apparent. His landscapes, like his persons, are a sort of allegories. His true poetical element, where alone he takes things as he finds them, is the atmosphere. Shelley is preeminently the poet of what may be called meteorological circumstance. He is at home among winds, mists, rains, snows, clouds gorgeously coloured, glories of sunrise, nights of moonshine, lightnings, streamers, and falling stars; and what of vegetation and geology he brings in, is but as so much that might be seen by an aerial creature in its ascents and descents. His poetry is full of direct and all but conscious suggestions of this. Need we cite, as one, his "Ode to the Skylark," that "scorner of the ground," whose skill he covets for the poet? Then there is his lyric of the "Cloud:""I bring fresh showers for the thirsting flowers, For the seas and the streams; I bear light shade for the leaves when laid In their noon-day dreams; From my wings are shaken the dews that waken The sweet birds every one, When rocked to rest on their mother's breast I wield the flail of the lashing hail, And laugh as I pass in thunder." Again in his "Invocation to the West Wind," in which, expressly imploring it to be his spirit, he dedicates himself, as it were, to the meteorological for ever : "O wild West Wind, thou breath of Autumn's being, Thou from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Make me thy lyre, even as the forest is! What if my leaves are falling likę its own? The tumult of thy mighty harmonies Will take from both a deep autumnal tone, Sweet though in sadness. Be thou, spirit fierce, My spirit! Be thou me, impetuous me ! Drive my dead thoughts over the universe, Scatter, as from an unextinguished hearth He was wont to creep and stumble, with a slow, uncertain pace, And a supplicating doubt o'er all his hard unbending face; And our mirth would make him scornful, and our pity made him wince, He was sharp too with his reasons, and his deep, inveterate sneer For the world seemed out of joint to him, and rotten to the core, And there was nothing sacred in the universe to him- But the blind old man is altered to a cheerful hopefulness, At one with God's great universe-he sees though he is blind. And it's all that sweet child's doing; see them at the lattice there, They say he found her one night, humming o'er a quiet tune, And she came upon him gently, as an angel from the Lord, And she fringed the dark clouds of his soul with lights of heaven's own grace, And she breathed into his life a breath of tranquil hopefulness. And he's no more sharp with reasons; thought sits calmly on his brow, And he plays such rare sweet music with a natural pathos low; For he's full of all bird-singing, and the cheery ring of bells, The rain that drizzles on the leaves, the dripping sound of wells, And the old ocean-murmurs, and all the hum of bees, And varied modulations of the many-sounding trees. These tune his heart to melodies, that lighten all its load; Yet their gladness hath a sadness, though it speak to him of God. And he knows all shapes of flowers: the heath, the fox-glove with its bells, And it's all that sweet child's doing: as they saunter by the brook, ' O, a blessed work is thine, fair child; and even so we find, When Faith holds up the aching head, and presses with her palm. That's the key-note of existence; the right tone is caught at length ; We were sometime dark and dreary; we were sometime wroth and proud ; Cometh Faith upon the spirit, and the spirit is serene, And the dark cloud is uplifted, and the mists of doubt grow thin, And the discords do but hint a grander harmony through all. For around the man of sorrows all the sorrows of our lot Find their law and light in Him, whose life is our divinest thought; In that sacrament of sorrow-we are blind and yet we see. For if the way of man here is a way of grief and loss, Even so the way of Godhead was upon the bitter cross,— Upon the bitter cross, and along a tearful story, Till the wreath of thorns became the crown of heaven's imperial glory. So the sorrow and the sacrifice, whereat we do repine, Are but symbols of the kinship 'twixt the human and divine But the law of highest being and of highest honour given; For the wreath of cruel thorns is now the empire crown of heaven. Rest thee on that faith divine, and all the history of man Rest thee on that holy faith, and all the misty mountain tops, Where thy thoughts were cold and cloudy, shall beam forth with radiant hopes And the harmony of all things, never uttered into ears, 'Tis the shallow stream that babbles-'tis in shallows of the sea All the spoken truth is ripple,-surge upon the shore of Death; But be still, and hear the Godhead how His solemn footsteps fall And the mournfulness and scornfulness will haply melt away, They were frost-work on your windows, and they dimm'd the light of day; Only let the Heaven-child, Jesus, lead thee meekly on the path And the world will murmur sweetly many songs into thine ear, Yea, the sickness and the sorrows, and the mourner's bitter grief, And if He give thee waters of sorrow to thy fate, He will give them songs to murmur, though but half articulate, Thus in thoughtful contemplation of the full-orbed life divine, That has linked the highest being with the highest misery. Ye that dwell among your reasons, what is that ye call a God But the lengthening shadow of yourselves that falls upon your road? O your subtle logic-bridges, spanning over the abyss. And you send your thoughts on every side in search of Him forsooth! That lies at your hand for ever. Get thee eye-salve, man, and pray : And it's all that sweet child's doing: as they saunter by the brook,' O, a blessed work is thine, fair child; and even so we find, That's the key-note of existence; the right tone is caught at length; We were sometime dark and dreary; we were sometime wroth and proud; Cometh Faith upon the spirit, and the spirit is serene, And the dark cloud is uplifted, and the mists of doubt grow thin, For around the man of sorrows all the sorrows of our lot Find their law and light in Him, whose life is our divinest thought ; In that sacrament of sorrow-we are blind and yet we see. For if the way of man here is a way of grief and loss, Even so the way of Godhead was upon the bitter cross, Upon the bitter cross, and along a tearful story, Till the wreath of thorns became the crown of heaven's imperial glory. So the sorrow and the sacrifice, whereat we do repine, Are but symbols of the kinship 'twixt the human and divine But the law of highest being and of highest honour given; For the wreath of cruel thorns is now the empire crown of heaven. Rest thee on that faith divine, and all the history of man Rest thee on that holy faith, and all the misty mountain tops, Where thy thoughts were cold and cloudy, shall beam forth with radiant hopes And the harmony of all things, never uttered into ears, |