Book of AddressesThis book consists of a series of essays that all turn around questions of the address of speech or writing. They argue and demonstrate that meaning is not just a matter of the active intention of a subject (for example, speaker, writer, or other signatory of a meaningful act) but also of its reception at another's address. The book's main concern is therefore with a theory of meaning and of action that is not centered on the intentional, self-conscious subject. The fifteen chapters explore this problematic within three broad areas: love, jealousy, and sexual difference; fiction or literature; and political or public discourse. The book engages principally with contemporary French thought and includes important new readings of work by Jacques Derrida, Hélène Cixous, Maurice Blanchot, and Jean-Luc Nancy. |
Què en diuen els usuaris - Escriviu una ressenya
No hem trobat cap ressenya als llocs habituals.
Continguts
SI Deconstruction and Love | 25 |
A Repetition | 44 |
Jealousy Wants Proof | 64 |
The Other Sexual Difference | 79 |
S5 The Sacrifice of Sarah | 102 |
SemiApproaches to Hélène Cixous | 114 |
Fiction and the Experience of the Other | 135 |
The Experience of Deconstruction | 154 |
Democracys | 172 |
10 The Other Fiction | 189 |
Syringe at the point | 199 |
The Ghosts of Critique and Deconstruction | 219 |
The Haunts of Scholarship | 238 |
14 Derrida on Television or Applied Derrida | 252 |
15 Singular Sense Second Hand | 268 |
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
able affirmation already appears appropriation asking becomes begins belong body called comes condition course criticism death deconstruction Derrida described desire difference disavowal discourse distinction double effect essay event everything example existence experience fact fiction figure finally follows force Freud gender gesture ghost gift give given going hand happens identity impossible invention Jacques jealousy kind language least less letter limit literary literature living longer mark means movement narrative neutral never object once opening passage passion passivity perhaps person phrase political position possible precisely present production question reason reference relation remains remarks repeated repetition responsibility scene scholar seems sense sexual sexual difference simply singular space speak Specters speech structure theory thing thought tion trans translation truth turn uncanny University Press woman writing
Referències a aquest llibre
Romanticism After Auschwitz Sara Emilie Guyer,Professor of English Sara Guyer Visualització de fragments - 2007 |