An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 9.
Pàgina 266
... unity of action ; and stricter unity cannot be imagined . But an action may have unity , or a beginning , middle , and end , without so intimate a relation of parts ; as where the catas- trophe is different from what is intended or ...
... unity of action ; and stricter unity cannot be imagined . But an action may have unity , or a beginning , middle , and end , without so intimate a relation of parts ; as where the catas- trophe is different from what is intended or ...
Pàgina 268
... unity of action consists , is equally essential to epic and dramatic compositions . In The mind is satisfied with slighter unity in a picture than in a poem ; because the perceptions of the for- mer are more lively than the ideas of the ...
... unity of action consists , is equally essential to epic and dramatic compositions . In The mind is satisfied with slighter unity in a picture than in a poem ; because the perceptions of the for- mer are more lively than the ideas of the ...
Pàgina 274
... unity of action consist ? Which possesses the greater unity of action , the Æneid or Iliad ? What defect in the plan of the Iliad is pointed out ? -in the Or- lando Furioso ? What license is used by romance writers ? Give an example ...
... unity of action consist ? Which possesses the greater unity of action , the Æneid or Iliad ? What defect in the plan of the Iliad is pointed out ? -in the Or- lando Furioso ? What license is used by romance writers ? Give an example ...
Continguts
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
No s’hi han mostrat 11 seccions
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers