An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 69.
Pàgina 64
... rule for reaching the sublime . What is this judicious selection called ? Where is the greatest scope for this rule Give an example . To what other arts is the rule applicable ? What other rule is given ? What is the exception to this rule ...
... rule for reaching the sublime . What is this judicious selection called ? Where is the greatest scope for this rule Give an example . To what other arts is the rule applicable ? What other rule is given ? What is the exception to this rule ...
Pàgina 144
... rule , will appear harsh and strained , and be disrelished by every one of taste . Hence the beauty of inversion ... rule concerning perspicuity ? What should chiefly be studied in language ? What error against perspicuity passes with ...
... rule , will appear harsh and strained , and be disrelished by every one of taste . Hence the beauty of inversion ... rule concerning perspicuity ? What should chiefly be studied in language ? What error against perspicuity passes with ...
Pàgina 252
... rule . This branch of the subject shall be closed with a general rule , That action being the fundamental part of every composition , whether epic or dramatic , the sentiments and tone of language ought to be subser- vient to the action ...
... rule . This branch of the subject shall be closed with a general rule , That action being the fundamental part of every composition , whether epic or dramatic , the sentiments and tone of language ought to be subser- vient to the action ...
Continguts
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
No s’hi han mostrat 11 seccions
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers