An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 5.
Pàgina 79
... riety , is justly preferred . For the same reason , the oval is preferred before the circle ; and painters , in copying buildings or any regular work , give an air of variety , by representing the subject in an angular view ; we are ...
... riety , is justly preferred . For the same reason , the oval is preferred before the circle ; and painters , in copying buildings or any regular work , give an air of variety , by representing the subject in an angular view ; we are ...
Pàgina 168
... riety : He scarce had ceas'd , when the superior fiend Was moving toward the shore ; his pond'rous shield , Ethereal temper , massy , large , and round , Behind him cast ; the broad circumference Hung on his shoulders like the moon ...
... riety : He scarce had ceas'd , when the superior fiend Was moving toward the shore ; his pond'rous shield , Ethereal temper , massy , large , and round , Behind him cast ; the broad circumference Hung on his shoulders like the moon ...
Pàgina 247
... riety of moral tragedies , the spectators are put upon their guard against the disorders of passion . The commentators upon Aristotle , and other critics , have been much gravelled about the account given of tragedy by that author ...
... riety of moral tragedies , the spectators are put upon their guard against the disorders of passion . The commentators upon Aristotle , and other critics , have been much gravelled about the account given of tragedy by that author ...
Continguts
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
No s’hi han mostrat 11 seccions
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers