Stages and Playgoers: From Guild Plays to ShakespeareMcGill-Queen's Press - MQUP, 2002 - 241 pàgines The tradition of direct address has little to do with the frequently touted notion of the "fluidity of the Renaissance stage": the point is not that stage characters can talk to the audience but that they actually do reach out to the playgoers and in so doing import aspects of the audience world to the stage. These exchanges appear frequently in late-medieval drama and continue to be crucial stage strategies for Shakespeare, in whose work they grow and change. By examining a native dramatic tradition not fully explored before, Hill proposes new ways to imagine historical and contemporary performances. Stages and Playgoers will be invaluable for students of cultural studies, medieval and Renaissance studies, theatre history, and stagecraft. |
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Pàgina
... Elizabethan , 1500-1500 - History and criticism . 5. English drama - 17th century - History and criticism . I. Title . PR654.H54 2002 822'.045'09031 C2001-901447-3 Typeset in 10/12 Palatino by True to Type In memory of Frederick and ...
... Elizabethan , 1500-1500 - History and criticism . 5. English drama - 17th century - History and criticism . I. Title . PR654.H54 2002 822'.045'09031 C2001-901447-3 Typeset in 10/12 Palatino by True to Type In memory of Frederick and ...
Pàgina 10
... Elizabethan public playhouses , of the entrepreneurs who funded and built these theatres , and of the play- ing companies and audiences who occupied them . Many historians of the stage have provided me with a firm historical foundation ...
... Elizabethan public playhouses , of the entrepreneurs who funded and built these theatres , and of the play- ing companies and audiences who occupied them . Many historians of the stage have provided me with a firm historical foundation ...
Pàgina 12
... Elizabethan and Jacobean theatre " ( 18 ) . Using Weimann's conception of medieval platea and locus as , respectively , undefined and defined playing spaces , Mooney claims that " from his downstage position a character could step out ...
... Elizabethan and Jacobean theatre " ( 18 ) . Using Weimann's conception of medieval platea and locus as , respectively , undefined and defined playing spaces , Mooney claims that " from his downstage position a character could step out ...
Pàgina 21
El contingut d’aquesta pàgina està restringit.
El contingut d’aquesta pàgina està restringit.
Pàgina 22
El contingut d’aquesta pàgina està restringit.
El contingut d’aquesta pàgina està restringit.
Continguts
Oure Play | 15 |
Nonce Plays | 76 |
I Know You All | 109 |
Open Address in the Romances | 161 |
Notes | 185 |
221 | |
235 | |
Altres edicions - Mostra-ho tot
Stages and Playgoers: From Guild Plays to Shakespeare Janet Hill Previsualització no disponible - 2001 |
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