The World of the Imagination: Sum and SubstanceRowman & Littlefield, 1991 - 810 pàgines In this book, Eva Brann sets out no less a task than to assess the meaning of imagination in its multifarious expressions throughout western history. The result is one of those rare achievements that will make The World of the Imagination a standard reference. |
Des de l'interior del llibre
Resultats 1 - 5 de 77.
Pàgina 3
... taken , the topics discussed , and the format employed . Motives . The intellectual perplexity that drives this inquiry defined itself as I was studying philosophical texts . In the Western tradition the imagina- tion is assigned what ...
... taken , the topics discussed , and the format employed . Motives . The intellectual perplexity that drives this inquiry defined itself as I was studying philosophical texts . In the Western tradition the imagina- tion is assigned what ...
Pàgina 14
... taken to be : an art of correspondence and resemblance . Indeed it is a main theme of this book that images in the strictest sense are always spatial and often atemporal . Now sound , especially music , is certainly also spatial ...
... taken to be : an art of correspondence and resemblance . Indeed it is a main theme of this book that images in the strictest sense are always spatial and often atemporal . Now sound , especially music , is certainly also spatial ...
Pàgina 18
... taken collec- tively from the point of view of their common elements and structures ; the definition of the specific imaginal character of imagery is a preoccupation of cognitive psychology . Literary imagery is figurative speech ...
... taken collec- tively from the point of view of their common elements and structures ; the definition of the specific imaginal character of imagery is a preoccupation of cognitive psychology . Literary imagery is figurative speech ...
Pàgina 19
... taken very seriously ( Furlong 1961 ) . It occurs in various constructions . One may suppose a proposition ( " imagine that x " ) or a direct object ( " imagine x " ) or one may suppose adverbially ( " thinking imaginatively ...
... taken very seriously ( Furlong 1961 ) . It occurs in various constructions . One may suppose a proposition ( " imagine that x " ) or a direct object ( " imagine x " ) or one may suppose adverbially ( " thinking imaginatively ...
Pàgina 20
... taken figuratively . It refers to how persons or institutions look to others or to themselves , and the impression and associations they convey , which of course often involves actual picturing . Thus there are political , professional ...
... taken figuratively . It refers to how persons or institutions look to others or to themselves , and the impression and associations they convey , which of course often involves actual picturing . Thus there are political , professional ...
Continguts
VIII | 35 |
IX | 40 |
X | 46 |
XI | 48 |
XIII | 50 |
XIV | 51 |
XV | 57 |
XVI | 62 |
LVIII | 366 |
LIX | 373 |
LX | 385 |
LXI | 389 |
LXII | 396 |
LXIII | 415 |
LXIV | 416 |
LXV | 418 |
XVII | 69 |
XVIII | 70 |
XIX | 78 |
XX | 82 |
XXI | 89 |
XXII | 100 |
XXIII | 103 |
XXIV | 107 |
XXV | 108 |
XXVI | 109 |
XXVII | 110 |
XXVIII | 112 |
XXIX | 119 |
XXX | 120 |
XXXI | 156 |
XXXII | 180 |
XXXIII | 184 |
XXXIV | 193 |
XXXV | 207 |
XXXVI | 211 |
XXXVII | 213 |
XXXVIII | 217 |
XXXIX | 222 |
XL | 229 |
XLI | 230 |
XLII | 237 |
XLIII | 250 |
XLIV | 257 |
XLV | 269 |
XLVI | 271 |
XLVII | 281 |
XLVIII | 291 |
LI | 293 |
LII | 307 |
LIII | 315 |
LIV | 324 |
LV | 328 |
LVI | 354 |
LVII | 365 |
LXVI | 425 |
LXVII | 426 |
LXVIII | 432 |
LXIX | 439 |
LXX | 459 |
LXXI | 463 |
LXXII | 472 |
LXXIII | 486 |
LXXIV | 495 |
LXXV | 513 |
LXXVI | 519 |
LXXVII | 525 |
LXXVIII | 527 |
LXXIX | 530 |
LXXX | 545 |
LXXXI | 546 |
LXXXII | 559 |
LXXXIII | 577 |
LXXXIV | 581 |
LXXXV | 584 |
LXXXVI | 589 |
LXXXVII | 603 |
LXXXVIII | 618 |
LXXXIX | 637 |
XC | 639 |
XCI | 681 |
XCII | 685 |
XCIII | 700 |
XCIV | 711 |
XCV | 714 |
XCVI | 724 |
XCVII | 741 |
XCVIII | 742 |
XCIX | 757 |
C | 773 |
CIII | 787 |
799 | |
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
activity actual aesthetic Allan Paivio appearance Aristotle aspect C.S. Lewis called cognitive cognitive psychology cognitive science concept consciousness daydreaming depiction Descartes distinction distinguished dreams dystopias edited effect example existence experience external fact faculty fantasy fiction figures function geometric human Husserl ideas imaginary imagination imagistic inner insofar intellectual internal intuition Kant kind Kosslyn literary logical means memory mental imagery mental images metaphor mind mode myth nature Ned Block notion novel object Odysseus original painting perception phantasia Phenomenology philosophical physical Piaget pictorial picture Plato poetic poetry poets possible present problem projection propositional psychic psychology question reason relation representation resemblance Romantic Romanticism Sartre seems sensation sense sensibility sensory shape sort soul space spatial speak specific symbolic temporal theory things thinking thought tion tradition truth turn University Press Utopia verbal vision visual visual perception Wittgenstein words York
Passatges populars
Pàgina 22 - Fancy is indeed no other than a mode of Memory emancipated from the order of time and space; while it is blended with, and modified by that empirical phenomenon of the will, which we express by the word CHOICE. But equally with the ordinary memory the Fancy must receive all its materials ready made from the law of association.* 2 1, 202.