The World of the Imagination: Sum and SubstanceRowman & Littlefield, 1991 - 810 pàgines In this book, Eva Brann sets out no less a task than to assess the meaning of imagination in its multifarious expressions throughout western history. The result is one of those rare achievements that will make The World of the Imagination a standard reference. |
Des de l'interior del llibre
Resultats 1 - 5 de 51.
Pàgina ix
... Significance of the Imagination 184 Chapter V. Conclusions : Why an Image - Forming Imagination Should , After All , Be Affirmed 193 Part Two Psychology : The Having of Imagery 207 Chapter I. Cognitive Science : The Setting of Imagery ...
... Significance of the Imagination 184 Chapter V. Conclusions : Why an Image - Forming Imagination Should , After All , Be Affirmed 193 Part Two Psychology : The Having of Imagery 207 Chapter I. Cognitive Science : The Setting of Imagery ...
Pàgina 5
... significance . I shall try to give fair accounts of the sophisticated counter- arguments . Though I find the imagistic position first and last more persua- sive , I must say that I have not proven my case and cannot do so without a ...
... significance . I shall try to give fair accounts of the sophisticated counter- arguments . Though I find the imagistic position first and last more persua- sive , I must say that I have not proven my case and cannot do so without a ...
Pàgina 13
... significance . ( For example : taste , Brillat - Savarin 1825 ; touch , Montagu 1971 ; smell , Corbin 1986 , who points up the " narcissism " of this sense as well as its special power to rouse visual memory . ) Strictly speaking , then ...
... significance . ( For example : taste , Brillat - Savarin 1825 ; touch , Montagu 1971 ; smell , Corbin 1986 , who points up the " narcissism " of this sense as well as its special power to rouse visual memory . ) Strictly speaking , then ...
Pàgina 14
... significance of spatial terms in music - terms such as " high " and " low " for tones , " up " and " down " for beats , " long " and " short " for notes , " small " and " large " for intervals - and also with their physical bases ...
... significance of spatial terms in music - terms such as " high " and " low " for tones , " up " and " down " for beats , " long " and " short " for notes , " small " and " large " for intervals - and also with their physical bases ...
Pàgina 27
... Significance of the Skin . New York : Columbia University Press . Morgan , Robert P. 1980. " Musical Time / Musical Space . " In The Language of Images , edited by W.J.T. Mitchell . Chicago : The University of Chicago Press . Morstein ...
... Significance of the Skin . New York : Columbia University Press . Morgan , Robert P. 1980. " Musical Time / Musical Space . " In The Language of Images , edited by W.J.T. Mitchell . Chicago : The University of Chicago Press . Morstein ...
Continguts
VIII | 35 |
IX | 40 |
X | 46 |
XI | 48 |
XIII | 50 |
XIV | 51 |
XV | 57 |
XVI | 62 |
LVIII | 366 |
LIX | 373 |
LX | 385 |
LXI | 389 |
LXII | 396 |
LXIII | 415 |
LXIV | 416 |
LXV | 418 |
XVII | 69 |
XVIII | 70 |
XIX | 78 |
XX | 82 |
XXI | 89 |
XXII | 100 |
XXIII | 103 |
XXIV | 107 |
XXV | 108 |
XXVI | 109 |
XXVII | 110 |
XXVIII | 112 |
XXIX | 119 |
XXX | 120 |
XXXI | 156 |
XXXII | 180 |
XXXIII | 184 |
XXXIV | 193 |
XXXV | 207 |
XXXVI | 211 |
XXXVII | 213 |
XXXVIII | 217 |
XXXIX | 222 |
XL | 229 |
XLI | 230 |
XLII | 237 |
XLIII | 250 |
XLIV | 257 |
XLV | 269 |
XLVI | 271 |
XLVII | 281 |
XLVIII | 291 |
LI | 293 |
LII | 307 |
LIII | 315 |
LIV | 324 |
LV | 328 |
LVI | 354 |
LVII | 365 |
LXVI | 425 |
LXVII | 426 |
LXVIII | 432 |
LXIX | 439 |
LXX | 459 |
LXXI | 463 |
LXXII | 472 |
LXXIII | 486 |
LXXIV | 495 |
LXXV | 513 |
LXXVI | 519 |
LXXVII | 525 |
LXXVIII | 527 |
LXXIX | 530 |
LXXX | 545 |
LXXXI | 546 |
LXXXII | 559 |
LXXXIII | 577 |
LXXXIV | 581 |
LXXXV | 584 |
LXXXVI | 589 |
LXXXVII | 603 |
LXXXVIII | 618 |
LXXXIX | 637 |
XC | 639 |
XCI | 681 |
XCII | 685 |
XCIII | 700 |
XCIV | 711 |
XCV | 714 |
XCVI | 724 |
XCVII | 741 |
XCVIII | 742 |
XCIX | 757 |
C | 773 |
CIII | 787 |
799 | |
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
activity actual aesthetic Allan Paivio appearance Aristotle aspect C.S. Lewis called cognitive cognitive psychology cognitive science concept consciousness daydreaming depiction Descartes distinction distinguished dreams dystopias edited effect example existence experience external fact faculty fantasy fiction figures function geometric human Husserl ideas imaginary imagination imagistic inner insofar intellectual internal intuition Kant kind Kosslyn literary logical means memory mental imagery mental images metaphor mind mode myth nature Ned Block notion novel object Odysseus original painting perception phantasia Phenomenology philosophical physical Piaget pictorial picture Plato poetic poetry poets possible present problem projection propositional psychic psychology question reason relation representation resemblance Romantic Romanticism Sartre seems sensation sense sensibility sensory shape sort soul space spatial speak specific symbolic temporal theory things thinking thought tion tradition truth turn University Press Utopia verbal vision visual visual perception Wittgenstein words York
Passatges populars
Pàgina 22 - Fancy is indeed no other than a mode of Memory emancipated from the order of time and space; while it is blended with, and modified by that empirical phenomenon of the will, which we express by the word CHOICE. But equally with the ordinary memory the Fancy must receive all its materials ready made from the law of association.* 2 1, 202.