The World of the Imagination: Sum and SubstanceRowman & Littlefield, 1991 - 810 pàgines In this book, Eva Brann sets out no less a task than to assess the meaning of imagination in its multifarious expressions throughout western history. The result is one of those rare achievements that will make The World of the Imagination a standard reference. |
Des de l'interior del llibre
Resultats 1 - 5 de 86.
Pàgina 13
... sense - memories of taste , smell , and touch seem to lack the triadic structure of optical and auditory imagery , which consists of the mind's eye or ear , of the internal field , and of the visible or audible object located within it ...
... sense - memories of taste , smell , and touch seem to lack the triadic structure of optical and auditory imagery , which consists of the mind's eye or ear , of the internal field , and of the visible or audible object located within it ...
Pàgina 14
... sense of being strictly products of the " inner ear , " as visual imagery is of the inner eye . It may be that auditory imagery is often an actual performance , a voiceless exercise of the larynx , a physiological , not just a ...
... sense of being strictly products of the " inner ear , " as visual imagery is of the inner eye . It may be that auditory imagery is often an actual performance , a voiceless exercise of the larynx , a physiological , not just a ...
Pàgina 15
... sense , the choice of visual imagery really acknowledges the primacy of sight . People form parties revealing their most intimate natures around their preference for the three great senses : touch , the sense of immediate contact ...
... sense , the choice of visual imagery really acknowledges the primacy of sight . People form parties revealing their most intimate natures around their preference for the three great senses : touch , the sense of immediate contact ...
Pàgina 16
... sense par excellence ; not only must the eyes maintain distance to see an object , but that distance itself enters into the view as part of the visual field ; thus vision supplies us with the important notion of object- shapes placed in ...
... sense par excellence ; not only must the eyes maintain distance to see an object , but that distance itself enters into the view as part of the visual field ; thus vision supplies us with the important notion of object- shapes placed in ...
Pàgina 21
... sense presentations , which resemble external perceptions . Ancient and medieval texts concerning phantasia will be discussed in Part One . Here I want to give a brief account of the loss of dignity the word has obviously suffered over ...
... sense presentations , which resemble external perceptions . Ancient and medieval texts concerning phantasia will be discussed in Part One . Here I want to give a brief account of the loss of dignity the word has obviously suffered over ...
Continguts
VIII | 35 |
IX | 40 |
X | 46 |
XI | 48 |
XIII | 50 |
XIV | 51 |
XV | 57 |
XVI | 62 |
LVIII | 366 |
LIX | 373 |
LX | 385 |
LXI | 389 |
LXII | 396 |
LXIII | 415 |
LXIV | 416 |
LXV | 418 |
XVII | 69 |
XVIII | 70 |
XIX | 78 |
XX | 82 |
XXI | 89 |
XXII | 100 |
XXIII | 103 |
XXIV | 107 |
XXV | 108 |
XXVI | 109 |
XXVII | 110 |
XXVIII | 112 |
XXIX | 119 |
XXX | 120 |
XXXI | 156 |
XXXII | 180 |
XXXIII | 184 |
XXXIV | 193 |
XXXV | 207 |
XXXVI | 211 |
XXXVII | 213 |
XXXVIII | 217 |
XXXIX | 222 |
XL | 229 |
XLI | 230 |
XLII | 237 |
XLIII | 250 |
XLIV | 257 |
XLV | 269 |
XLVI | 271 |
XLVII | 281 |
XLVIII | 291 |
LI | 293 |
LII | 307 |
LIII | 315 |
LIV | 324 |
LV | 328 |
LVI | 354 |
LVII | 365 |
LXVI | 425 |
LXVII | 426 |
LXVIII | 432 |
LXIX | 439 |
LXX | 459 |
LXXI | 463 |
LXXII | 472 |
LXXIII | 486 |
LXXIV | 495 |
LXXV | 513 |
LXXVI | 519 |
LXXVII | 525 |
LXXVIII | 527 |
LXXIX | 530 |
LXXX | 545 |
LXXXI | 546 |
LXXXII | 559 |
LXXXIII | 577 |
LXXXIV | 581 |
LXXXV | 584 |
LXXXVI | 589 |
LXXXVII | 603 |
LXXXVIII | 618 |
LXXXIX | 637 |
XC | 639 |
XCI | 681 |
XCII | 685 |
XCIII | 700 |
XCIV | 711 |
XCV | 714 |
XCVI | 724 |
XCVII | 741 |
XCVIII | 742 |
XCIX | 757 |
C | 773 |
CIII | 787 |
799 | |
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
activity actual aesthetic Allan Paivio appearance Aristotle aspect C.S. Lewis called cognitive cognitive psychology cognitive science concept consciousness daydreaming depiction Descartes distinction distinguished dreams dystopias edited effect example existence experience external fact faculty fantasy fiction figures function geometric human Husserl ideas imaginary imagination imagistic inner insofar intellectual internal intuition Kant kind Kosslyn literary logical means memory mental imagery mental images metaphor mind mode myth nature Ned Block notion novel object Odysseus original painting perception phantasia Phenomenology philosophical physical Piaget pictorial picture Plato poetic poetry poets possible present problem projection propositional psychic psychology question reason relation representation resemblance Romantic Romanticism Sartre seems sensation sense sensibility sensory shape sort soul space spatial speak specific symbolic temporal theory things thinking thought tion tradition truth turn University Press Utopia verbal vision visual visual perception Wittgenstein words York
Passatges populars
Pàgina 22 - Fancy is indeed no other than a mode of Memory emancipated from the order of time and space; while it is blended with, and modified by that empirical phenomenon of the will, which we express by the word CHOICE. But equally with the ordinary memory the Fancy must receive all its materials ready made from the law of association.* 2 1, 202.