The World of the Imagination: Sum and SubstanceRowman & Littlefield, 1991 - 810 pàgines In this book, Eva Brann sets out no less a task than to assess the meaning of imagination in its multifarious expressions throughout western history. The result is one of those rare achievements that will make The World of the Imagination a standard reference. |
Des de l'interior del llibre
Resultats 1 - 5 de 75.
Pàgina xi
... Painting : Non - Mutual Sisters 472 1. " Ut Pictura Poesis " a . The Doctrine of " Speaking Pictures " b . " Iconic " Poetry : Homer , Longus , Dante , Keats c . Lessing's Criticism 2. " Spatial " Prose C. Speaking and Imagining ...
... Painting : Non - Mutual Sisters 472 1. " Ut Pictura Poesis " a . The Doctrine of " Speaking Pictures " b . " Iconic " Poetry : Homer , Longus , Dante , Keats c . Lessing's Criticism 2. " Spatial " Prose C. Speaking and Imagining ...
Pàgina 11
... painter Wu Tao - tzu painted on a palace wall a glorious landscape , with mountains , forests , clouds , birds , men , and all things as in Nature , a veritable world - picture ; while the Emperor his patron was admiring this painting ...
... painter Wu Tao - tzu painted on a palace wall a glorious landscape , with mountains , forests , clouds , birds , men , and all things as in Nature , a veritable world - picture ; while the Emperor his patron was admiring this painting ...
Pàgina 13
... painting , so taste , for example , can be fooled by substitutes , like aspartame for sugar . Yet these so - called " inner " senses are not imagistic in the most complete meaning of the word . Their activity delivers immediate ...
... painting , so taste , for example , can be fooled by substitutes , like aspartame for sugar . Yet these so - called " inner " senses are not imagistic in the most complete meaning of the word . Their activity delivers immediate ...
Pàgina 14
... painting , the principal spatial art , has traditionally been taken to be : an art of correspondence and resemblance . Indeed it is a main theme of this book that images in the strictest sense are always spatial and often atemporal ...
... painting , the principal spatial art , has traditionally been taken to be : an art of correspondence and resemblance . Indeed it is a main theme of this book that images in the strictest sense are always spatial and often atemporal ...
Pàgina 31
... painting , who are allowed to be lovers of reveries and dreams . Their writings are , to be sure , often informed by an acute and articulate intelligence , but in principle they are not works of consequential , coherent , and ...
... painting , who are allowed to be lovers of reveries and dreams . Their writings are , to be sure , often informed by an acute and articulate intelligence , but in principle they are not works of consequential , coherent , and ...
Continguts
VIII | 35 |
IX | 40 |
X | 46 |
XI | 48 |
XIII | 50 |
XIV | 51 |
XV | 57 |
XVI | 62 |
LVIII | 366 |
LIX | 373 |
LX | 385 |
LXI | 389 |
LXII | 396 |
LXIII | 415 |
LXIV | 416 |
LXV | 418 |
XVII | 69 |
XVIII | 70 |
XIX | 78 |
XX | 82 |
XXI | 89 |
XXII | 100 |
XXIII | 103 |
XXIV | 107 |
XXV | 108 |
XXVI | 109 |
XXVII | 110 |
XXVIII | 112 |
XXIX | 119 |
XXX | 120 |
XXXI | 156 |
XXXII | 180 |
XXXIII | 184 |
XXXIV | 193 |
XXXV | 207 |
XXXVI | 211 |
XXXVII | 213 |
XXXVIII | 217 |
XXXIX | 222 |
XL | 229 |
XLI | 230 |
XLII | 237 |
XLIII | 250 |
XLIV | 257 |
XLV | 269 |
XLVI | 271 |
XLVII | 281 |
XLVIII | 291 |
LI | 293 |
LII | 307 |
LIII | 315 |
LIV | 324 |
LV | 328 |
LVI | 354 |
LVII | 365 |
LXVI | 425 |
LXVII | 426 |
LXVIII | 432 |
LXIX | 439 |
LXX | 459 |
LXXI | 463 |
LXXII | 472 |
LXXIII | 486 |
LXXIV | 495 |
LXXV | 513 |
LXXVI | 519 |
LXXVII | 525 |
LXXVIII | 527 |
LXXIX | 530 |
LXXX | 545 |
LXXXI | 546 |
LXXXII | 559 |
LXXXIII | 577 |
LXXXIV | 581 |
LXXXV | 584 |
LXXXVI | 589 |
LXXXVII | 603 |
LXXXVIII | 618 |
LXXXIX | 637 |
XC | 639 |
XCI | 681 |
XCII | 685 |
XCIII | 700 |
XCIV | 711 |
XCV | 714 |
XCVI | 724 |
XCVII | 741 |
XCVIII | 742 |
XCIX | 757 |
C | 773 |
CIII | 787 |
799 | |
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
activity actual aesthetic Allan Paivio appearance Aristotle aspect C.S. Lewis called cognitive cognitive psychology cognitive science concept consciousness daydreaming depiction Descartes distinction distinguished dreams dystopias edited effect example existence experience external fact faculty fantasy fiction figures function geometric human Husserl ideas imaginary imagination imagistic inner insofar intellectual internal intuition Kant kind Kosslyn literary logical means memory mental imagery mental images metaphor mind mode myth nature Ned Block notion novel object Odysseus original painting perception phantasia Phenomenology philosophical physical Piaget pictorial picture Plato poetic poetry poets possible present problem projection propositional psychic psychology question reason relation representation resemblance Romantic Romanticism Sartre seems sensation sense sensibility sensory shape sort soul space spatial speak specific symbolic temporal theory things thinking thought tion tradition truth turn University Press Utopia verbal vision visual visual perception Wittgenstein words York
Passatges populars
Pàgina 22 - Fancy is indeed no other than a mode of Memory emancipated from the order of time and space; while it is blended with, and modified by that empirical phenomenon of the will, which we express by the word CHOICE. But equally with the ordinary memory the Fancy must receive all its materials ready made from the law of association.* 2 1, 202.