The World of the Imagination: Sum and SubstanceRowman & Littlefield, 1991 - 810 pàgines In this book, Eva Brann sets out no less a task than to assess the meaning of imagination in its multifarious expressions throughout western history. The result is one of those rare achievements that will make The World of the Imagination a standard reference. |
Des de l'interior del llibre
Resultats 1 - 5 de 78.
Pàgina 4
... nature of those most fascinating of ontic structures after which the imagination itself is named , namely images , be they natural , artificial , or mental . The last and most encompassing motive was the doubly and triply enigmatic ...
... nature of those most fascinating of ontic structures after which the imagination itself is named , namely images , be they natural , artificial , or mental . The last and most encompassing motive was the doubly and triply enigmatic ...
Pàgina 6
... natural that related studies be considered together . I worried that there might be a danger of being entrapped in pre ... nature of a pivot between sense and intellect . In psychology the chief topic of debate pits " propositionalists ...
... natural that related studies be considered together . I worried that there might be a danger of being entrapped in pre ... nature of a pivot between sense and intellect . In psychology the chief topic of debate pits " propositionalists ...
Pàgina 11
... Nature , a veritable world - picture ; while the Emperor his patron was admiring this painting , Wu Tao - tzu ... natural state and are worth facing in a sober condition . There are , to be sure , tribal cultures that make serious ...
... Nature , a veritable world - picture ; while the Emperor his patron was admiring this painting , Wu Tao - tzu ... natural state and are worth facing in a sober condition . There are , to be sure , tribal cultures that make serious ...
Pàgina 17
... nature of its specific representations ? They are discrete sym- bols . They are quasi - spatial analogues . What is the source of its materials ? They are perceptual memories . - They are free creations . What is the scope of its ...
... nature of its specific representations ? They are discrete sym- bols . They are quasi - spatial analogues . What is the source of its materials ? They are perceptual memories . - They are free creations . What is the scope of its ...
Pàgina 18
... nature looms large - of forming internal images and of employing these , it will be argued , to shape external ... natural reflection ; whether images are essentially mimetic is a major issue in this book . " Imaginal " means having the ...
... nature looms large - of forming internal images and of employing these , it will be argued , to shape external ... natural reflection ; whether images are essentially mimetic is a major issue in this book . " Imaginal " means having the ...
Continguts
VIII | 35 |
IX | 40 |
X | 46 |
XI | 48 |
XIII | 50 |
XIV | 51 |
XV | 57 |
XVI | 62 |
LVIII | 366 |
LIX | 373 |
LX | 385 |
LXI | 389 |
LXII | 396 |
LXIII | 415 |
LXIV | 416 |
LXV | 418 |
XVII | 69 |
XVIII | 70 |
XIX | 78 |
XX | 82 |
XXI | 89 |
XXII | 100 |
XXIII | 103 |
XXIV | 107 |
XXV | 108 |
XXVI | 109 |
XXVII | 110 |
XXVIII | 112 |
XXIX | 119 |
XXX | 120 |
XXXI | 156 |
XXXII | 180 |
XXXIII | 184 |
XXXIV | 193 |
XXXV | 207 |
XXXVI | 211 |
XXXVII | 213 |
XXXVIII | 217 |
XXXIX | 222 |
XL | 229 |
XLI | 230 |
XLII | 237 |
XLIII | 250 |
XLIV | 257 |
XLV | 269 |
XLVI | 271 |
XLVII | 281 |
XLVIII | 291 |
LI | 293 |
LII | 307 |
LIII | 315 |
LIV | 324 |
LV | 328 |
LVI | 354 |
LVII | 365 |
LXVI | 425 |
LXVII | 426 |
LXVIII | 432 |
LXIX | 439 |
LXX | 459 |
LXXI | 463 |
LXXII | 472 |
LXXIII | 486 |
LXXIV | 495 |
LXXV | 513 |
LXXVI | 519 |
LXXVII | 525 |
LXXVIII | 527 |
LXXIX | 530 |
LXXX | 545 |
LXXXI | 546 |
LXXXII | 559 |
LXXXIII | 577 |
LXXXIV | 581 |
LXXXV | 584 |
LXXXVI | 589 |
LXXXVII | 603 |
LXXXVIII | 618 |
LXXXIX | 637 |
XC | 639 |
XCI | 681 |
XCII | 685 |
XCIII | 700 |
XCIV | 711 |
XCV | 714 |
XCVI | 724 |
XCVII | 741 |
XCVIII | 742 |
XCIX | 757 |
C | 773 |
CIII | 787 |
799 | |
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
activity actual aesthetic Allan Paivio appearance Aristotle aspect C.S. Lewis called cognitive cognitive psychology cognitive science concept consciousness daydreaming depiction Descartes distinction distinguished dreams dystopias edited effect example existence experience external fact faculty fantasy fiction figures function geometric human Husserl ideas imaginary imagination imagistic inner insofar intellectual internal intuition Kant kind Kosslyn literary logical means memory mental imagery mental images metaphor mind mode myth nature Ned Block notion novel object Odysseus original painting perception phantasia Phenomenology philosophical physical Piaget pictorial picture Plato poetic poetry poets possible present problem projection propositional psychic psychology question reason relation representation resemblance Romantic Romanticism Sartre seems sensation sense sensibility sensory shape sort soul space spatial speak specific symbolic temporal theory things thinking thought tion tradition truth turn University Press Utopia verbal vision visual visual perception Wittgenstein words York
Passatges populars
Pàgina 22 - Fancy is indeed no other than a mode of Memory emancipated from the order of time and space; while it is blended with, and modified by that empirical phenomenon of the will, which we express by the word CHOICE. But equally with the ordinary memory the Fancy must receive all its materials ready made from the law of association.* 2 1, 202.