The World of the Imagination: Sum and SubstanceRowman & Littlefield, 1991 - 810 pàgines In this book, Eva Brann sets out no less a task than to assess the meaning of imagination in its multifarious expressions throughout western history. The result is one of those rare achievements that will make The World of the Imagination a standard reference. |
Des de l'interior del llibre
Resultats 1 - 5 de 81.
Pàgina x
... Mode 293 1. The Stage Theory of Development : Piaget 2. Piagetan Imagery 3. Critique of Piaget C. By Degree : Quality and Quantity of Fantasy 307 Chapter V. Various Imagery - Topics 315 A. Cognitive Uses of Imagery 315 1. " Creation ...
... Mode 293 1. The Stage Theory of Development : Piaget 2. Piagetan Imagery 3. Critique of Piaget C. By Degree : Quality and Quantity of Fantasy 307 Chapter V. Various Imagery - Topics 315 A. Cognitive Uses of Imagery 315 1. " Creation ...
Pàgina xii
... Mode : The Extensive Imagination 2. Robbe - Grillet : The Objective Imagination D. Romantic Irony : Reason Superseded 519 Chapter III . Literary Language : Two Figures of Speech A. Simile : The Poetic Image 525 527 B. Metaphor : The ...
... Mode : The Extensive Imagination 2. Robbe - Grillet : The Objective Imagination D. Romantic Irony : Reason Superseded 519 Chapter III . Literary Language : Two Figures of Speech A. Simile : The Poetic Image 525 527 B. Metaphor : The ...
Pàgina 9
... mode of a demission - to the image - flood now generated by the mass media . One characteristic element of our " civilization of the image , " distinct from its mere massiveness , particularly prompts the postmodern turn from the image ...
... mode of a demission - to the image - flood now generated by the mass media . One characteristic element of our " civilization of the image , " distinct from its mere massiveness , particularly prompts the postmodern turn from the image ...
Pàgina 10
... mode , is distinguished from " similitude " ( Foucault ) , which aban- dons the notion of reference with its hierarchy of original and imitation ( 270 ) . The copy parodies itself in a series of " lateral repetitions . " The ...
... mode , is distinguished from " similitude " ( Foucault ) , which aban- dons the notion of reference with its hierarchy of original and imitation ( 270 ) . The copy parodies itself in a series of " lateral repetitions . " The ...
Pàgina 11
... mode of a religion about which it has been suggestively said that " images are to the Hindu worshipper what diagrams are to the geometrician " ( Rao 1914 ) , or to do justice to the imaginative premises of an art out of which comes an ...
... mode of a religion about which it has been suggestively said that " images are to the Hindu worshipper what diagrams are to the geometrician " ( Rao 1914 ) , or to do justice to the imaginative premises of an art out of which comes an ...
Continguts
VIII | 35 |
IX | 40 |
X | 46 |
XI | 48 |
XIII | 50 |
XIV | 51 |
XV | 57 |
XVI | 62 |
LVIII | 366 |
LIX | 373 |
LX | 385 |
LXI | 389 |
LXII | 396 |
LXIII | 415 |
LXIV | 416 |
LXV | 418 |
XVII | 69 |
XVIII | 70 |
XIX | 78 |
XX | 82 |
XXI | 89 |
XXII | 100 |
XXIII | 103 |
XXIV | 107 |
XXV | 108 |
XXVI | 109 |
XXVII | 110 |
XXVIII | 112 |
XXIX | 119 |
XXX | 120 |
XXXI | 156 |
XXXII | 180 |
XXXIII | 184 |
XXXIV | 193 |
XXXV | 207 |
XXXVI | 211 |
XXXVII | 213 |
XXXVIII | 217 |
XXXIX | 222 |
XL | 229 |
XLI | 230 |
XLII | 237 |
XLIII | 250 |
XLIV | 257 |
XLV | 269 |
XLVI | 271 |
XLVII | 281 |
XLVIII | 291 |
LI | 293 |
LII | 307 |
LIII | 315 |
LIV | 324 |
LV | 328 |
LVI | 354 |
LVII | 365 |
LXVI | 425 |
LXVII | 426 |
LXVIII | 432 |
LXIX | 439 |
LXX | 459 |
LXXI | 463 |
LXXII | 472 |
LXXIII | 486 |
LXXIV | 495 |
LXXV | 513 |
LXXVI | 519 |
LXXVII | 525 |
LXXVIII | 527 |
LXXIX | 530 |
LXXX | 545 |
LXXXI | 546 |
LXXXII | 559 |
LXXXIII | 577 |
LXXXIV | 581 |
LXXXV | 584 |
LXXXVI | 589 |
LXXXVII | 603 |
LXXXVIII | 618 |
LXXXIX | 637 |
XC | 639 |
XCI | 681 |
XCII | 685 |
XCIII | 700 |
XCIV | 711 |
XCV | 714 |
XCVI | 724 |
XCVII | 741 |
XCVIII | 742 |
XCIX | 757 |
C | 773 |
CIII | 787 |
799 | |
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Frases i termes més freqüents
activity actual aesthetic Allan Paivio appearance Aristotle aspect C.S. Lewis called cognitive cognitive psychology cognitive science concept consciousness daydreaming depiction Descartes distinction distinguished dreams dystopias edited effect example existence experience external fact faculty fantasy fiction figures function geometric human Husserl ideas imaginary imagination imagistic inner insofar intellectual internal intuition Kant kind Kosslyn literary logical means memory mental imagery mental images metaphor mind mode myth nature Ned Block notion novel object Odysseus original painting perception phantasia Phenomenology philosophical physical Piaget pictorial picture Plato poetic poetry poets possible present problem projection propositional psychic psychology question reason relation representation resemblance Romantic Romanticism Sartre seems sensation sense sensibility sensory shape sort soul space spatial speak specific symbolic temporal theory things thinking thought tion tradition truth turn University Press Utopia verbal vision visual visual perception Wittgenstein words York
Passatges populars
Pàgina 22 - Fancy is indeed no other than a mode of Memory emancipated from the order of time and space; while it is blended with, and modified by that empirical phenomenon of the will, which we express by the word CHOICE. But equally with the ordinary memory the Fancy must receive all its materials ready made from the law of association.* 2 1, 202.