The World of the Imagination: Sum and SubstanceRowman & Littlefield, 1991 - 810 pàgines In this book, Eva Brann sets out no less a task than to assess the meaning of imagination in its multifarious expressions throughout western history. The result is one of those rare achievements that will make The World of the Imagination a standard reference. |
Des de l'interior del llibre
Resultats 1 - 5 de 76.
Pàgina xii
... Language : Two Figures of Speech A. Simile : The Poetic Image 525 527 B. Metaphor : The Philosophical Issue 530 Chapter IV . Literary Imagining : Two Genres of Fiction 545 A. Myths and Their Time 546 1. The Mythic Mode : Vico 2. Made ...
... Language : Two Figures of Speech A. Simile : The Poetic Image 525 527 B. Metaphor : The Philosophical Issue 530 Chapter IV . Literary Imagining : Two Genres of Fiction 545 A. Myths and Their Time 546 1. The Mythic Mode : Vico 2. Made ...
Pàgina 6
... language is explained in terms of the superposition of mental images . In the part concerning depiction , there is established and delineated an internal theater wherein imaging takes place , that is to say , an inner space ...
... language is explained in terms of the superposition of mental images . In the part concerning depiction , there is established and delineated an internal theater wherein imaging takes place , that is to say , an inner space ...
Pàgina 19
... account , the latter , in this context , to having something like an image . These usages , however , are not of much relevance to this study . " Imagination " occurs probably most often in the language Introduction 19.
... account , the latter , in this context , to having something like an image . These usages , however , are not of much relevance to this study . " Imagination " occurs probably most often in the language Introduction 19.
Pàgina 20
... language of literary criticism , where I.A. Richards ( 1924 ) distinguishes the following six con- notations . The imagination is a capacity for the production of vivid , usually visual , images ; for the employment of figurative language ...
... language of literary criticism , where I.A. Richards ( 1924 ) distinguishes the following six con- notations . The imagination is a capacity for the production of vivid , usually visual , images ; for the employment of figurative language ...
Pàgina 27
... Language of Images , edited by W.J.T. Mitchell . Chicago : The University of Chicago Press . Morstein , Petra von . 1974. " " Imagine ' . " Mind 88 : 228-247 . Neuman , Matthias , O.S.B. 1978. " Towards an Integrated Theory of ...
... Language of Images , edited by W.J.T. Mitchell . Chicago : The University of Chicago Press . Morstein , Petra von . 1974. " " Imagine ' . " Mind 88 : 228-247 . Neuman , Matthias , O.S.B. 1978. " Towards an Integrated Theory of ...
Continguts
VIII | 35 |
IX | 40 |
X | 46 |
XI | 48 |
XIII | 50 |
XIV | 51 |
XV | 57 |
XVI | 62 |
LVIII | 366 |
LIX | 373 |
LX | 385 |
LXI | 389 |
LXII | 396 |
LXIII | 415 |
LXIV | 416 |
LXV | 418 |
XVII | 69 |
XVIII | 70 |
XIX | 78 |
XX | 82 |
XXI | 89 |
XXII | 100 |
XXIII | 103 |
XXIV | 107 |
XXV | 108 |
XXVI | 109 |
XXVII | 110 |
XXVIII | 112 |
XXIX | 119 |
XXX | 120 |
XXXI | 156 |
XXXII | 180 |
XXXIII | 184 |
XXXIV | 193 |
XXXV | 207 |
XXXVI | 211 |
XXXVII | 213 |
XXXVIII | 217 |
XXXIX | 222 |
XL | 229 |
XLI | 230 |
XLII | 237 |
XLIII | 250 |
XLIV | 257 |
XLV | 269 |
XLVI | 271 |
XLVII | 281 |
XLVIII | 291 |
LI | 293 |
LII | 307 |
LIII | 315 |
LIV | 324 |
LV | 328 |
LVI | 354 |
LVII | 365 |
LXVI | 425 |
LXVII | 426 |
LXVIII | 432 |
LXIX | 439 |
LXX | 459 |
LXXI | 463 |
LXXII | 472 |
LXXIII | 486 |
LXXIV | 495 |
LXXV | 513 |
LXXVI | 519 |
LXXVII | 525 |
LXXVIII | 527 |
LXXIX | 530 |
LXXX | 545 |
LXXXI | 546 |
LXXXII | 559 |
LXXXIII | 577 |
LXXXIV | 581 |
LXXXV | 584 |
LXXXVI | 589 |
LXXXVII | 603 |
LXXXVIII | 618 |
LXXXIX | 637 |
XC | 639 |
XCI | 681 |
XCII | 685 |
XCIII | 700 |
XCIV | 711 |
XCV | 714 |
XCVI | 724 |
XCVII | 741 |
XCVIII | 742 |
XCIX | 757 |
C | 773 |
CIII | 787 |
799 | |
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Frases i termes més freqüents
activity actual aesthetic Allan Paivio appearance Aristotle aspect C.S. Lewis called cognitive cognitive psychology cognitive science concept consciousness daydreaming depiction Descartes distinction distinguished dreams dystopias edited effect example existence experience external fact faculty fantasy fiction figures function geometric human Husserl ideas imaginary imagination imagistic inner insofar intellectual internal intuition Kant kind Kosslyn literary logical means memory mental imagery mental images metaphor mind mode myth nature Ned Block notion novel object Odysseus original painting perception phantasia Phenomenology philosophical physical Piaget pictorial picture Plato poetic poetry poets possible present problem projection propositional psychic psychology question reason relation representation resemblance Romantic Romanticism Sartre seems sensation sense sensibility sensory shape sort soul space spatial speak specific symbolic temporal theory things thinking thought tion tradition truth turn University Press Utopia verbal vision visual visual perception Wittgenstein words York
Passatges populars
Pàgina 22 - Fancy is indeed no other than a mode of Memory emancipated from the order of time and space; while it is blended with, and modified by that empirical phenomenon of the will, which we express by the word CHOICE. But equally with the ordinary memory the Fancy must receive all its materials ready made from the law of association.* 2 1, 202.