The World of the Imagination: Sum and SubstanceRowman & Littlefield, 1991 - 810 pàgines In this book, Eva Brann sets out no less a task than to assess the meaning of imagination in its multifarious expressions throughout western history. The result is one of those rare achievements that will make The World of the Imagination a standard reference. |
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Resultats 1 - 5 de 77.
Pàgina vii
... Appearance - Presentation C. Stoics : The Affection of Appearance - Apprehension D. Epicureans : Subtle Simulacra 29 35 35 40 46 48 E. Plotinus : Internal Mirror F. Neoplatonists : Autonomous Phantasy vii.
... Appearance - Presentation C. Stoics : The Affection of Appearance - Apprehension D. Epicureans : Subtle Simulacra 29 35 35 40 46 48 E. Plotinus : Internal Mirror F. Neoplatonists : Autonomous Phantasy vii.
Pàgina 7
... appearance into humanly informed , significant wholes . Format . Instead of footnotes I have adopted the usage of many scientific journals : Author and date are cited right in the text . The full reference is given in the bibliography ...
... appearance into humanly informed , significant wholes . Format . Instead of footnotes I have adopted the usage of many scientific journals : Author and date are cited right in the text . The full reference is given in the bibliography ...
Pàgina 20
... appearances . One might add as a seventh meaning that of sensibility . The vocabularies of other disciplines have similar spreads . Again , it is the first sense , the capacity for visual images , that will be put forward as central ...
... appearances . One might add as a seventh meaning that of sensibility . The vocabularies of other disciplines have similar spreads . Again , it is the first sense , the capacity for visual images , that will be put forward as central ...
Pàgina 21
... appearance , " and is eventually used for the faculty of entertaining appearances . Thus phantasia supplies the original notion to which the Latin characteri- zation of the imagination as an imitative power is the complement . Phanta ...
... appearance , " and is eventually used for the faculty of entertaining appearances . Thus phantasia supplies the original notion to which the Latin characteri- zation of the imagination as an imitative power is the complement . Phanta ...
Pàgina 35
El contingut d’aquesta pàgina està restringit.
El contingut d’aquesta pàgina està restringit.
Continguts
VIII | 35 |
IX | 40 |
X | 46 |
XI | 48 |
XIII | 50 |
XIV | 51 |
XV | 57 |
XVI | 62 |
LVIII | 366 |
LIX | 373 |
LX | 385 |
LXI | 389 |
LXII | 396 |
LXIII | 415 |
LXIV | 416 |
LXV | 418 |
XVII | 69 |
XVIII | 70 |
XIX | 78 |
XX | 82 |
XXI | 89 |
XXII | 100 |
XXIII | 103 |
XXIV | 107 |
XXV | 108 |
XXVI | 109 |
XXVII | 110 |
XXVIII | 112 |
XXIX | 119 |
XXX | 120 |
XXXI | 156 |
XXXII | 180 |
XXXIII | 184 |
XXXIV | 193 |
XXXV | 207 |
XXXVI | 211 |
XXXVII | 213 |
XXXVIII | 217 |
XXXIX | 222 |
XL | 229 |
XLI | 230 |
XLII | 237 |
XLIII | 250 |
XLIV | 257 |
XLV | 269 |
XLVI | 271 |
XLVII | 281 |
XLVIII | 291 |
LI | 293 |
LII | 307 |
LIII | 315 |
LIV | 324 |
LV | 328 |
LVI | 354 |
LVII | 365 |
LXVI | 425 |
LXVII | 426 |
LXVIII | 432 |
LXIX | 439 |
LXX | 459 |
LXXI | 463 |
LXXII | 472 |
LXXIII | 486 |
LXXIV | 495 |
LXXV | 513 |
LXXVI | 519 |
LXXVII | 525 |
LXXVIII | 527 |
LXXIX | 530 |
LXXX | 545 |
LXXXI | 546 |
LXXXII | 559 |
LXXXIII | 577 |
LXXXIV | 581 |
LXXXV | 584 |
LXXXVI | 589 |
LXXXVII | 603 |
LXXXVIII | 618 |
LXXXIX | 637 |
XC | 639 |
XCI | 681 |
XCII | 685 |
XCIII | 700 |
XCIV | 711 |
XCV | 714 |
XCVI | 724 |
XCVII | 741 |
XCVIII | 742 |
XCIX | 757 |
C | 773 |
CIII | 787 |
799 | |
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Frases i termes més freqüents
activity actual aesthetic Allan Paivio appearance Aristotle aspect C.S. Lewis called cognitive cognitive psychology cognitive science concept consciousness daydreaming depiction Descartes distinction distinguished dreams dystopias edited effect example existence experience external fact faculty fantasy fiction figures function geometric human Husserl ideas imaginary imagination imagistic inner insofar intellectual internal intuition Kant kind Kosslyn literary logical means memory mental imagery mental images metaphor mind mode myth nature Ned Block notion novel object Odysseus original painting perception phantasia Phenomenology philosophical physical Piaget pictorial picture Plato poetic poetry poets possible present problem projection propositional psychic psychology question reason relation representation resemblance Romantic Romanticism Sartre seems sensation sense sensibility sensory shape sort soul space spatial speak specific symbolic temporal theory things thinking thought tion tradition truth turn University Press Utopia verbal vision visual visual perception Wittgenstein words York
Passatges populars
Pàgina 22 - Fancy is indeed no other than a mode of Memory emancipated from the order of time and space; while it is blended with, and modified by that empirical phenomenon of the will, which we express by the word CHOICE. But equally with the ordinary memory the Fancy must receive all its materials ready made from the law of association.* 2 1, 202.