Imatges de pàgina
PDF
EPUB

LYRICAL AND MISCELLANEOUS PIECES.

JUVENILE LINES.

FROM VIRGIL.

1782.-ETAT. 11

"SCOTT's Autobiography tells us that his translations in verse from Horace and Virgil were often approved by Dr. Adam, [Rector of the High School, Edinburgh.] One of these little pieces, written in a weak boyish scrawl, within pencilled marks still visible, had been carefully preserved by his mother; it was found folded up in a cover, inscribed by the old lady'My Walter's First Lines, 1782."-LOCKHART, Life of Scott, vol. i. p. 129.

In awful ruins Etna thunders nigh,

And sends in pitchy whirlwinds to the sky

Black clouds of smoke, which, still as they aspire,
From their dark sides there bursts the glowing fire;
At other times huge balls of fire are toss'd,
That lick the stars, and in the smoke are lost:
Sometimes the mount, with vast convulsions torn,
Emits huge rocks, which instantly are borne
With loud explosions to the starry skies,
The stones made liquid as the huge mass flies,
Then back again with greater weight recoils,
While Ætna thundering from the bottom boils.

HELLVELLYN.

1805.

In the spring of 1805, a young gentleman of talents, and of a most amiable disposition, perished by losing his way on the mountain Hellvellyn. His remains were not discovered till three months afterwards, when they were found guarded by a faithful terrier-bitch, his constant attendant during frequent solitary rambles through the wilds of Cumberland and Westmoreland.

I CLIMB'D the dark brow of the mighty Hellvellyn,
Lakes and mountains beneath me gleam'd misty and wide;
All was still, save by fits, when the eagle was yelling,
And starting around me the echoes replied.

On the right, Striden-edge round the Red-tarn was bending,
And Catchedicam its left verge was defending,

One huge nameless rock in the front was ascending,

When I mark'd the sad spot where the wanderer had died.

Dark-green was that spot 'mid the brown mountain heather,
Where the Pilgrim of Nature lay stretch'd in decay,
Like the corpse of an outcast abandon'd to weather,
Till the mountain-winds wasted the tenantless clay.
Nor yet quite deserted, though lonely extended,
For, faithful in death, his mute favourite attended,
The much-loved remains of her master defended,
And chased the hill-fox and the raven away.

How long didst thou think that his silence was slumber?
When the wind waved his garment, how oft didst thou start?
How many long days and long weeks didst thou number,
Ere he faded before thee, the friend of thy heart?
And oh! was it meet, that-no requiem read o'er him-
No mother to weep, and no friend to deplore him,
And thou, little guardian, alone stretch'd before him-
Unhonour'd the Pilgrim from life should depart?

When a Prince to the fate of the Peasant has yielded,
The tapestry waves dark round the dim-lighted hall;
With scutcheons of silver the coffin is shielded,

And pages stand mute by the canopied pall:
Through the courts, at deep midnight, the torches are gleaming;
In the proudly arch'd chapel the banners are beaming,
Far adown the long aisle sacred music is streaming,
Lamenting a Chief of the people should fall.

But meeter for thee, gentle lover of nature,

To lay down thy head like the meek mountain-lamb,
When, wilder'd, he drops from some cliff huge in stature,
And draws his last sob by the side of his dam.

And more stately thy couch by this desert lake lying,
Thy obsequies sung by the grey plover flying,
With one faithful friend but to witness thy dying,
In the arms of Hellvellyn and Catchedicam.

THE DYING BARD.

1806.

The Welsh tradition bears, that a Bard, on his deathbed, demanded his harp, and played the air to which these verses are adapted; requesting that it might be performed at his funeral.

I.

DINAS EMLINN, lament; for the moment is nigh,
When mute in the woodlands thine echoes shall die:
No more by sweet Teivi Cadwallon shall rave,
And mix his wild notes with the wild dashing wave.

II.

In spring and in autumn, thy glories of shade
Unhonour'd shall flourish, unhonour'd shall fade;
For soon shall be lifeless the eye and the tongue,
That view'd them with rapture, with rapture that sung.

III.

Thy sons, Dinas Emlinn, may march in their pride,
And chase the proud Saxon from Prestatyn's side;
But where is the harp shall give life to their name?
And where is the bard shall give heroes their fame?

IV.

And oh, Dinas Emlinn! thy daughters so fair,
Who heave the white bosom, and wave the dark hair;
What tuneful enthusiasts shall worship their eye,
When half of their charms with Cadwallon shall die?

V.

Then adieu, silver Teivi! I quit thy loved scene,
To join the dim choir of the bards who have been;
With Lewarch, and Meilor, and Merlin the Old,
And sage Taliessin, high harping to hold.

VI.

And adieu, Dinas Emlinn! still green be thy shades,
Unconquer'd thy warriors, and matchless thy maids!
And thou, whose faint warblings my weakness can tell,
Farewell, my loved Harp! my last treasure, farewell!

THE NORMAN HORSE-SHOE.

1806.

The Welsh, inhabiting a mountainous country, and possessing only an inferior breed of horses, were usually unable to encounter the shock of the Anglo-Norman cavalry. Occasionally, however, they were successful in repelling the invaders; and the following verses are supposed to celebrate a defeat of CLARE, Earl of Striguil and Pembroke, and of NEVILLE, Baron of Chepstow, LordsMarchers of Monmouthshire. Rymny is a stream which divides the counties of Monmouth and Glamorgan: Caerphili, the scene of the supposed battle, is a vale upon its banks, dignified by the ruins of a very ancient castle.

I.

Red glows the forge in Striguil's bounds,
And hammers din, and anvil sounds,
And armourers, with iron toil,

Barb many a steed for battle's broil.

Foul fall the hand which bends the steel
Around the courser's thundering heel,
That e'er shall dint a sable wound
On fair Glamorgan's velvet ground!

II.

From Chepstow's towers, ere dawn of morn,

Was heard afar the bugle-horn;

And forth, in banded pomp and pride,

Stout Clare and fiery Neville ride.

They swore, their banners broad should gleam,
In crimson light, on Rymny's stream;
They vow'd, Caerphili's sod should feel
The Norman charger's spurning heel.

III.

And sooth they swore: the sun arose,
And Rymny's wave with crimson glows;
For Clare's red banner, floating wide,
Roll'd down the stream to Severn's tide!
And sooth they vow'd: the trampled green
Show'd where hot Neville's charge had been;
In every sable hoof-tramp stood

A Norman horseman's curdling blood!

IV.

Old Chepstow's brides may curse the toil,
That arm'd stout Clare for Cambrian broil;
Their orphans long the art may rue,
For Neville's war-horse forged the shoe.
No more the stamp of armed steed
Shall dint Glamorgan's velvet mead;
Nor trace be there, in early spring,
Save of the Fairies' emerald ring.

THE MAID OF TORO.

1806.

U, Low shone the sun on the fair lake of Toro,
And weak were the whispers that waved the dark wood,
All as a fair maiden, bewilder'd in sorrow,

Sorely sigh'd to the breezes, and wept to the flood.
"O saints! from the mansions of bliss lowly bending-
Sweet Virgin! who hearest the suppliant's cry,
Now grant my petition, in anguish ascending,
My Henry restore, or let Eleanor die !"

All distant and faint were the sounds of the battle;

With the breezes they rise, with the breezes they fail,
Till the shout, and the groan, and the conflict's dread rattle,
And the chase's wild clamour, came loading the gale.
Breathless she gazed on the woodlands so dreary;
Slowly approaching, a warrior was seen;
Life's ebbing tide mark'd his footsteps so weary,
Cleft was his helmet, and woe was his mien.

"O save thee, fair maid, for our armies are flying!
O save thee, fair maid, for thy guardian is low!
Deadly cold on yon heath thy brave Henry is lying,
And fast through the woodland approaches the foe."
Scarce could he falter the tidings of sorrow,

And scarce could she hear them, benumb'd with despair:
And when the sun sank on the sweet lake of Toro,
For ever he set to the Brave and the Fair.

HUNTING SONG.

1808.

WAKEN, lords and ladies gay!

On the mountain dawns the day;

All the jolly chase is here,

With hawk, and horse, and hunting spear!
Hounds are in their couples yelling,
Hawks are whistling, horns are knelling;
Merrily, merrily, mingle they-

"Waken, lords and ladies gay!"

Waken, lords and ladies gay!

The mist has left the mountain grey,
Springlets in the dawn are steaming,
Diamonds on the brake are gleaming;
And foresters have busy been,

To track the buck in thicket green;
Now we come to chant our lay-
"Waken, lords and ladies gay !"

Waken, lords and ladies gay!
To the green-wood haste away;
We can show you where he lies,
Fleet of foot, and tall of size;

We can show the marks he made,
When 'gainst the oak his antlers fray'd;
You shall see him brought to bay-
"Waken, lords and ladies gay!"

Louder, louder chant the lay,
Waken, lords and ladies gay!
Tell them, youth, and mirth, and glee,
Run a course as well as we;

Time, stern huntsman! who can baulk,

Stanch as hound, and fleet as hawk?
Think of this, and rise with day,

Gentle lords and ladies gay!

PROLOGUE

TO MISS BAILLIE'S PLAY OF THE FAMILY LEGEND.

1809.

"TIS sweet to hear expiring Summer's sigh,
'Through forests tinged with russet, wail and die;
"Tis sweet and sad the latest notes to hear

Of distant music, dying on the ear;
But far more sadly sweet, on foreign strand,
We list the legends of our native land,
Link'd as they come with every tender tie,
Memorials dear of youth and infancy.

« AnteriorContinua »