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THE

LORD OF THE ISLES:

IN SIX CANTOS.

ADVERTISEMENT TO THE FIRST EDITION.

The scene of this poem lies, at first, in the Castle of Artornish, on the coast of Argyleshire; and, afterwards, in the Islands of Skye and Arran, and upon the coast of Ayrshire. Finally, it is laid near Stirling. The story opens in the spring of the year 1307, when Bruce, who had been driven out of Scotland by the English, and the Barons who adhered to that foreign interest, returned from the Island of Rachrin on the coast of Ireland, again to assert his claims to the Scottish crown. Many of the personages and incidents introduced are of historical celebrity. The authorities used are chiefy those of the venerable Lord Hailes, as well entitled to be called the restorer of Scottish history, as Bruce the restorer of Scottish monarchy; and of Archdeacon Barbour, a correct edition of whose Metrical History of Robert Bruce will soon, I trust, appear under the care of my learned friend, the Rev. Dr. Jamieson.

ABFOTSFORD, 10th December 1814.

INTRODUCTION TO EDITION 1833.

I COULD hardly have chosen a subject more popular in Scotland, than anything connected with the Bruce's history, unless I had attempted that of Wallace. But I am decidedly of opinion, that a popular, or what is called a taking title, though well qualified to ensure the publishers against loss, and clear their shelves of the original impression, is rather apt to be hazardous than otherwise to the reputation of the author. He who attempts a subject of distinguished popularity, has not the privilege of awakening the enthusiasm of his audience; on the contrary, it is already awakened, and glows, it may be, more ardently than that of the author himself. In this case, the warmth of the author is inferior to that of the party whom he addresses, who has, therefore, little chance of being, in Bayes's phrase, "elevated and surprised" by what he has thought of with more enthusiasm than the writer. The sense of this risk, joined to the consciousness of striving against wind and tide, made the task of composing the proposed Poem somewhat heavy and hopeless; but, like the prizefighter in "As You Like It," I was to wrestle for my reputation, and not neglect any advantage. In a most agreeable pleasurevoyage, which I have tried to commemorate in the Introduction to the new edition of the "Pirate," I visited, in social and friendly company, the coasts and islands of Scotland, and made myself acquainted with the localities of which I meant to treat. But this voyage, which was in every other effect so delightful, was in its conclusion saddened by one of those strokes of fate which so often mingle themselves with our pleasures. The accomplished and excellent person who had recommended to me the subject for "The Lay of the Last Minstrel," and to whom I proposed to inscribe what I already suspected might be the close of my poetical labours, was unexpectedly removed from the world, which she seemed only to have visited for purposes of kindness and benevolence. It is needless to say how the author's feelings, or the composition of his trifling work, were affected by a circumstance which occasioned so many tears and so much sorrow. True it is, that "The Lord of the Isles" was concluded, unwillingly and in haste, under the painful feeling of one who has a task which must be finished, rather than with the ardour of one who endeavours to perform that task well. Although the Poem cannot be said to have made a favourable impression on the public, the sale of fifteen thousand copies enabled the author to retreat from the field with the honours of war.

In the meantime, what was necessarily to be considered as a failure, was much reconciled to my feelings by the success attend

ing my attempt in another species of composition. "Waverley" had, under strict incognito, taken its flight from the press, just before I set out upon the voyage already mentioned; it had now made its way to popularity, and the success of that work, and the volumes which followed, was sufficient to have satisfied a greater appetite for applause, than I have at any time possessed."

I may as well add in this place, that, being much urged by my intimate friend, now unhappily no more, William Erskine, (a Scottish judge, by the title of Lord Kinnedder,) I agreed to write the little romantic tale called the "Bridal of Triermain ;" but it was on the condition that he should make no serious effort to disown the composition, if report should lay it at his door. As he was more than suspected of a taste for poetry, and as I took care, in several places, to mix something which might resemble (as far as was in my power) my friend's feeling and manner, the train easily caught, and two large editions were sold. Á third being called for, Lord Kinnedder became unwilling to aid any longer a deception which was going further than he expected or desired, and the real author's name was given. Upon another occasion, I sent up another of these trifles, which, like schoolboys' kites, served to show how the wind of popular taste was setting. The manner was supposed to be that of a rude minstrel or Scald, in opposition to the "Bridal of Triermain," which was designed to belong rather to the Italian school.

This new fugitive piece was called "Harold the Dauntless;" and I am still astonished at my having committed the gross error of selecting the very name which Lord Byron had made so famous. It encountered rather an odd fate. My ingenious friend, Mr. James Hogg, had published, about the same time, a work called the "Poetic Mirror," containing imitations of the principal living poets. There was in it a very good imitation of my own style, which bore such a resemblance to "Harold the Dauntless," that there was no discovering the original from the imitation; and I believe that many who took the trouble of thinking upon the subject, were rather of opinion that my ingenious friend was the true, and not the fictitious Simon Pure. Since this period, which was in the year 1817, the author has not been an intruder on the public by any poetical work of importance.

ABBOTSFORD, April 1830.

W. S.

a The first edition of Waverley appeared in July 1814.

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