Magazines for the Millions: Gender and Commerce in the Ladies' Home Journal and the Saturday Evening Post, 1880-1910SUNY Press, 1 de gen. 1994 - 263 pàgines Argues that the two popular women's magazines were pivotal in the combining of gender and commercialism at the turn of the century, and that publishers and advertisers conspired to create both a gendered commercial discourse and a commercial gender discourse for both men and women. Annotation copyright Book News, Inc. Portland, Or. |
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Magazines for the Millions: Gender and Commerce in the Ladies' Home Journal ... Helen Damon-Moore Previsualització limitada - 1994 |
Magazines for the Millions: Gender and Commerce in the Ladies' Home Journal ... Helen Damon-Moore Previsualització limitada - 1994 |
Frases i termes més freqüents
activity advertising American audience azine Bok's Journal Books broadening cents circulation club column consumers consumption contributors critical Curtis and Lorimer Curtis Magazines Curtis Publishing Curtis Publishing Company Cyrus Curtis CYRUS H. K. CURTIS discourse discussion domestic early editorial editorship Edward Bok featured female feminine fiction gender and commerce gender construction gender norms George Horace Lorimer girl History Home Journal housekeeping husband Ibid images interest issue Journal readers Kaestle Knapp's Journal Ladies late nineteenth letters lives Louisa Knapp Curtis Lyman Abbott magazine's male marriage married Mary masculinity men's messages middle-class women mother newspaper nineteenth century Oxford University Press Pearline Philadelphia popular culture Post's producers reading role Saturday Evening Post says Scribner's social Society success suggests T. J. Jackson targeted tion tone twentieth century vertising wife woman Womanhood women's magazines write wrote York young zine
Passatges populars
Pàgina 5 - can only be determined specifically, in the context of time and place. We can write the history of that process only if we recognize that “man” and “woman” are at once empty and over-flowing categories. Empty because they have no ultimate, transcendent meaning. Over-flowing because even when they appear to be fixed, they still contain within them alternative, denied, or suppressed definitions.
Referències a aquest llibre
America the Middlebrow: Women's Novels, Progressivism, and Middlebrow ... Jaime Harker Visualització de fragments - 2007 |