Projections: Comics and the History of Twenty-First-Century Storytelling

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Stanford University Press, 11 de gen. 2012 - 240 pàgines
“A fascinating read for anyone with an interest in the graphic novel, its origins, and its continuing evolution as a literary art form.” —Midwest Book Review

When Art Spiegelman’s Maus won the Pulitzer Prize in 1992, it marked a new era for comics. Comics are now taken seriously by the same academic and cultural institutions that long dismissed the form. And the visibility of comics continues to increase, with alternative cartoonists now published by major presses and more comics-based films arriving on the screen each year. Projections argues that the seemingly sudden visibility of comics is no accident. Beginning with the parallel development of narrative comics at the turn of the 20th century, comics have long been a form that invites—indeed requires—readers to help shape the stories being told. Today, with the rise of interactive media, the creative techniques and the reading practices comics have been experimenting with for a century are now in universal demand. Recounting the history of comics from the nineteenth-century rise of sequential comics to the newspaper strip, through comic books and underground comix, to the graphic novel and webcomics, Gardner shows why they offer the best models for rethinking storytelling in the twenty-first century. In the process, he reminds us of some beloved characters from our past and present, including Happy Hooligan, Krazy Kat, Crypt Keeper, and Mr. Natural.

“Provocative . . . examine[s] the progress of the form from a variety of surprising angles.” —Jonathan Barnes, Times Literary Supplement

“A landmark study.” —Charles Hatfield, California State University, Northridge, author of Alternative Comics: An Emerging Literature

“A succinct and savvy cultural history of American comics.” —Hillary Chute, University of Chicago
 

Continguts

1 Fragments of Modernity 18891920
1
2 Serial Pleasures 19071938
29
3 FanAddicts and the Comic Book 19381955
68
4 FirstPerson Graphic 19592010
107
5 Archives and Collectors 19902010
149
Comics Film and the Future of TwentyFirstCentury Storytelling
180
Notes
195
Index
215
Copyright

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Sobre l'autor (2012)

Jared Gardner is Associate Professor of English and Film at Ohio State University. He is the author of Master Plots: Race and the Founding of an American Literature, 1787–1845.

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