The Heath Introduction to Literature
At about half the length and a much lower price than comparable anthologies, this introductory anthology of short fiction, poetry, and drama is organized by genre and features chapter introductions and a bibliography of film adaptations. Readings have been chosen with an eye toward classic selections and gender balance, while allowing the book to retain the teachability and traditional emphases for which it has long been admired.
Resultats 1 - 3 de 23.
LADY BRITOMART Bring me my cushion . ( He takes the cushion from the chair at the desk and arranges it for her as she sits down on the settee . ) Sit down . ( He sits down and fingers his tie nervously . ) Dont fiddle with your tie ...
LADY BRITOMART Dont mock , Andrew . UNDERS HAFT ( shocked — to BARBARA ) You dont think I am mocking , my love , I hope . BARBARA No , of course not ; and it wouldnt matter if you were : half the Army came to their first meeting for a ...
CUSINS LADY BRITOMART Thats Andrew all over . He never does a proper thing without giving an improper reason for it . CUSINS He convinced me that I have all my life been doing improper things for proper reasons . LADY BRITOMART Adolphus ...
Què en diuen els usuaris - Escriviu una ressenya
No hem trobat cap ressenya als llocs habituals.
The Bases of Literature
Writing About Literature
Fiction as Narrative
No s’hi han mostrat 36 seccions
Altres edicions - Mostra-ho tot
answer arms asked BARBARA Bartleby believe better BIFF Bill characters close comes CUSINS dark dead dear death don't door Enter eyes face father feel fire follow give HAMLET hand HAPPY head hear heard heart hold HORATIO John keep kind KING knew LADY BRITOMART laugh leave light LINDA listen live look lord matter mean mind morning mother move never night OEDIPUS once passed play poem poor question remember seemed seen sense SHEPHERD sitting sleep sometimes soul sound speak stand STEPHEN stood stop story sure talk tell things thou thought took trying turned UNDERSHAFT voice walk watch WILLY window woman writing young