The Story of Art - 16th EditionPhaidon Press, 1995 - 688 pàgines " The Story of Art, one of the most famous and popular books on art ever written, has been a world bestseller for over four decades. Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, and one who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject. For the first time in many years the book has been completely redesigned. The illustrations, now in color throughout, have all been improved and reoriginated, and include six fold‐outs. The text has been revised and updated where appropriate, and a number of significant new artists have been incorporated. The bibliographies have been expanded and updated, and the maps and charts redrawn. The Story of Art has always been admired for two key qualities: it is a pleasure to read and a pleasure to handle. In these respects the new edition is true to its much‐loved predecessors: the text runs as smoothly as ever and the improved illustrations are always on the page where the reader needs them. In its new edition, this classic work continues its triumphant progress tirelessly for yet another generation, to remain the title of first choice for any newcomer to art or the connoisseur. " |
Des de l'interior del llibre
Resultats 1 - 3 de 86.
... nature . Now the process was reversed . Artists tried to modify nature according to the idea of beauty they had formed when looking at classical statues - they ' idealized ' the model . It was a tendency not without its dangers , for ...
... nature of these new problems was an artist who still belonged to the same generation as the Impressionist masters . He was Paul Cézanne ( 1839-1906 ) , who was only seven years younger than Manet , and even two years older than Renoir ...
... nature ' , to make use of the discoveries of the Impressionist masters , and yet to recapture the sense of order and necessity that distinguished the art of Poussin . In itself the problem was not new to art . We remember that the ...
Continguts
PREFACE | 7 |
STRANGE BEGINNINGS | 39 |
ART FOR ETERNITY | 60 |
Copyright | |
No s’hi han mostrat 13 seccions
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
Referències a aquest llibre
The Creative Vision: A Longitudinal Study of Problem Finding in Art Jacob W. Getzels,Mihaly Csikszentmihalyi Visualització de fragments - 1976 |
After the End of Art: Contemporary Art and the Pale of History Arthur Coleman Danto Previsualització no disponible - 1997 |